By: Amanda Guarragi
The King of Staten Island is Judd Apatow’s most personal film to date. He collaborated with Pete Davidson and Dave Sirus to bring Pete’s deeply emotional life to the screen. It was candid, realistic and raw to Pete’s journey. It was in typical Apatow fashion, to have such a natural flow to this story. They addressed mental illness and childhood trauma with humorous moments. In his mid -20s Scott (Pete Davidson) is at a standstill in his life, he dropped out of high school and his younger sister Claire (Maude Apatow) is heading out to college. As the events in his life unfold, Scott must come to terms with his father’s death and processes his grief in many ways.
For seventeen years Scott has lived without his father and the only memories he has of him, are the ones his mother, Margie (Marisa Tomei) shares with him over and over again. In Davidson’s life, his father was a firefighter for the FDNY. He was seen as a hero by many because of his bravery in saving someone’s life, as a building collapsed on top of him. Most of Davidson’s dark humour stems from his childhood trauma and his stand up is vulgar and borderline offensive. At the end of the day, that is what makes Pete, Pete. His humour may offend people but it is okay for him to make fun of his own trauma because it comes from such a personal place.
If you have been a fan of Judd Apatow’s since the beginning of his career, you know the way he makes his films. They are personal, witty and very well written. He always attempts to make real situations seem funny, even if it stems from a dark place. The reason why his films have so much heart and resonate with so many, is because he isn’t afraid to show his audience the reality of situations. He wants to say that these characters are real, concrete people, with a twisted sense of humour that exist in the real world.
To those who have followed Pete Davidson from his early stages on Saturday Night Live and appreciated his humour (even though sometimes he crossed the line), you will appreciate this film. I think everyone will learn something about Davidson through watching this film. You may dislike him a bit more, or even start to like him, it is all up to interpretation. This film highlights mental illness and it’s through the eyes of Pete Davidson, who has truly suffered from it. To see the psychology of Scott, through the eyes of Davidson, is something raw and eye opening. It is a story that only Pete Davidson could tell and it is really special.
The film does drag on a little bit but the third act is really important to Scott’s arc. As his sister goes off to college, his mother begins dating again and Ray Bishop (Bill Burr) also works at the fire department. In the midst of all this, Scott is causing his own damage with his friends and when he finds out about his mother dating a fireman, he goes into a downward spiral and attempts to break them up. We find that Scott does not really know how to express his emotions and sometimes he lets it out through impulsive, violent behaviour, or everyone’s favourite mechanism, sarcasm.
After a huge blowout between Ray, Margie and Scott, they all go their separate ways. That’s why the third act is really special. It brings them all together in a very unexpected way. Scott begins to understand the life of a fireman and he experiences it firsthand. It was very cathartic for Davidson and the REAL stories shared of his father, were important, not only for Scott’s character arc in the film, but for Davidson to maybe get some closure. It was an emotional ending and Davidson gave a wonderful performance.
The King of Staten Island is not for everyone. The only way to appreciate this film, is if you are fans of both, Apatow and Davidson. To newcomers, they may not understand the sentimental value this holds for Davidson and why this was so important for him to make. It was also pretty funny, a lot of Davidson’s humour is things he would say under his breath and being able to catch what he says, in this film was great. It’s a long watch but it is definitely worth it to see the heart of Pete Davidson.