Hot Docs 2020 Selection: Love & Stuff Interview with Judith Helfand


By: Amanda Guarragi 

Love & Stuff  is a deeply personal documentary on motherhood and the cycle of life. Peabody Award winning filmmaker Judith Helfand, documented her terminally ill mother’s final moments, at home-hospice before she passed. In this feature, Helfand continues the story that she began two decades ago, with Healthy Baby Girl (Sundance, Peabody 1997) through these films, Helfand adds emotional layers, by openly discussing her own traumas, addressing grief by using dark humour and reflecting on the power of family.

Judith and her mother, just wanted more time to spend with each other. Time is something so valuable and we often take it for granted. “There’s so many things that she probably wanted to tell me, that she couldn’t find the language for, it’s really hard to say, here is my life long lesson, here’s what I want you to know before I die, here’s what I think you need to know.” said Helfand about having discussions with her late mother. Watching a loved one pass away is extremely difficult and emotional. How do we even calculate time? We tend to get whisked away into our busy lives and forget what it is like to spend time with our loved ones. Then for some reason, we ask for more time when we know it’s too late.

It is something that I’ve often questioned about elders, all they want to do is pass down their knowledge and experiences before they leave us. Why do they feel the need to do this at the end of their life? Do we only start listening when they are about to pass because we did not think of paying attention to the stories before?

“They want to give you advice, the stuff that you never wanted to listen to, they were probably right about. They want to keep this connection possible and if they never had a chance to do that, whether they were working too hard or your relationship was on the rocks or something like that, I think that they want the time and the space to be able to try and fix that before they die.” – Judith Helfand 

That is the most wonderful thing about Love & Stuff it takes these conversations about death and turns them into life lessons, so others can understand how to approach the end of their loved ones life. It is a cathartic piece, not only for Helfand but for everyone that worked on the film. It presented a safe space for everyone who had lost someone. “I mean it just started out as a way, for me to not be alone with what I knew. What could be a very private universal moment and by private I mean, I’m not letting others into our life, and into this moment, and into our space, into our home and into our hospice, but I did the opposite.” Helfand wanted everyone to be present for her mother’s passing, in order to give them time to say goodbye.

Helfand’s mother, like every mother, wanted what was best for her daughter and it was revealed that Judith could not bear any children of her own. So the connectivity to motherhood, was the strongest part of this feature because at a time where Judith needed her mother, to guide her through the adoption process and in raising her daughter, she had passed away. “The thing that my mother wanted the most at the end of her life, was the thing my daughter wanted at the beginning of hers and that’s time. My mother just wanted time and my kid just wants to play, she just wants time.” Helfand believes that her daughters birth, was a gift from her mother after she passed and that full circle connectivity is the heart of Love & Stuff. 

This film helps viewers re-evaluate their own connection with their parents or loved ones. Helfand had 2 and a half years to prepare for her mother’s death and it was important to her, to find away to utilize that time. “I wanted to figure out how to keep her in my life and keep our conversation dynamic, even if it wasn’t current and present. It could be ongoing and I wanted to figure out how to be a mother, without having a mother and I felt like all that material was locked inside an archive, and I needed to get to it, as soon as I could.” This feature is incredibly emotional because of the raw, human connection the viewer has with Helfand, as she goes on this journey with her mother.

Helfand made a follow up video to Love & Stuff, called Absolutely No Spitting and it shows the journey of her, now 4 year – old daughter Theo taking a DNA test to discover her ancestry. What starts out as a factual journey, turns into a path of self discovery and acceptance for young Theo. The love shared between Helfand and Theo is very quirky and heartfelt. Helfand shared her own ancestry with Theo and she will continue to explore value in the people around her. She identifies her daughter’s Blackness and incorporates that into her Jewish ancestry.

 

 

A Guide to Queer Films: What to Watch For Pride 2020


By: Amanda Guarragi 

Happy Pride Month!!

The month of June was chosen for LGBTQAI+ Pride Month to commemorate the Stonewall riots, which occurred at the end of June 1969. Here is a brief history of the night that started it all:

New York City police raided the Stonewall Inn, a gay club located in Greenwich Village in New York City. The raid sparked a riot among bar patrons and neighborhood residents as police roughly hauled employees and patrons out of the bar, leading to six days of protests and violent clashes with law enforcement outside the bar on Christopher Street, in neighboring streets and in nearby Christopher Park.

So to honour Pride month and the LGBTQAI+ community, I have compiled a list of 30 films (one for each day of pride month), for people to educate themselves and watch films created by queer filmmakers for queer cinema.


  1. All About My Mother (1999)
    dir. Pedro Almodóvar
    Synopsis: Young Esteban wants to become a writer and also to discover the identity of his second mother, a trans woman, carefully concealed by his mother Manuela.1(left) Rosa Maria Sardá, Cecilia Roth and Penélope Cruz


  2. Beginners (2010)
    dir. Mike Mills
    Synopsis: A young man is rocked by two announcements from his elderly father: that he has terminal cancer and that he has a young male lover.2 (left) Christopher Plummer and Ewan McGregor


  3. Blue is the Warmest Colour (2013)
    dir. Abdellatif Kechiche
    Synopsis: Adèle’s life is changed when she meets Emma, a young woman with blue hair, who will allow her to discover desire and to assert herself as a woman and as an adult.3(left) Adèle Exarchopoulos and Léa Seydoux


  4. Brokeback Mountain (2005)
    dir. Ang Lee
    Synopsis: The story of a forbidden and secretive relationship between two cowboys, and their lives over the years.4.(left) Heath Ledger and Jake Gyllenhaal


  5. Call Me By Your Name (2017)
    dir. Luca Guadagnino
    Synopsis: In 1980s Italy, romance blossoms between a seventeen-year-old student and the older man hired as his father’s research assistant.5. (left) Timothée Chalamet and Armie Hammer


  6. Carol (2015)
    dir. Todd Haynes
    Synopsis: An aspiring photographer develops an intimate relationship with an older woman in 1950s New York.6. ( left) Rooney Mara and Cate Blanchett


  7. Disobedience (2017) 
    dir. Sebastián Lelio
    Synopsis:
    A woman returns to her Orthodox Jewish community that shunned her for her attraction to a female childhood friend. Once back, their passions reignite as they explore the boundaries of faith and sexuality.7. (left) Rachel McAdams and Rachel Weisz


  8. Duke of Burgundy (2014)
    dir.
    Peter Strickland
    Synopsis: 
    A woman who studies butterflies and moths tests the limits of her relationship with her lesbian lover.8.Sidse Babett Knudsen and Chiara D’Anna


  9. Giant Little Ones (2018)
    dir. Keith Behrman
    Synopsis: Two popular teen boys, best friends since childhood, discover their lives, families, and girlfriends dramatically upended after an unexpected incident occurs on the night of a 17th birthday party.9.


  10. God’s Own Country (2017) 
    dir. Francis Lee
    Synopsis: Spring. Yorkshire. Young farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker for lambing season ignites an intense relationship that sets Johnny on a new path.10.(left) Alec Secareanu and Josh O’Connor


  11. I Can’t Think Straight (2008) 
    dir. Shamim Sarif
    Synopsis: A young woman engaged to be married finds her life changed forever when she meets her best friend’s girlfriend.11.(left) Lisa Ray and Sheetal Sheth


  12. Looking For Langston (1989)
    dir.  Isaac Julien
    Synopsis: A black and white, fantasy-like recreation of high-society gay men during the Harlem Renaissance, with archival footage and photographs intercut with a story.12


  13. Love, Simon (2018)
    dir. Greg Berlanti
    Synopsis: Simon Spier keeps a huge secret from his family, his friends and all of his classmates: he’s gay. When that secret is threatened, Simon must face everyone and come to terms with his identity.13. (left) Nick Robinson and Keiynan Lonsdale


  14. Milk (2008)
    dir. 
    Gus Van Sant
    Synopsis: The story of Harvey Milk and his struggles as an American gay activist who fought for gay rights and became California’s first openly gay elected official.14.(left) James Franco and Sean Penn


  15. Moonlight (2016) 
    dir. Barry Jenkins
    Synopsis: A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.15 (left) Alex R. Hibbert and Jaden Piner


  16. Mysterious Skin (2004)
    dir.  Gregg Araki
    Synopsis: A teenage hustler and a young man obsessed with alien abductions cross paths, together discovering a horrible, liberating truth.17. (left) Joseph Gordon-Levitt and Brady Corbet


  17. Paris is Burning (1990)
    dir. Jennie Livingston
    Synopsis: A chronicle of New York’s drag scene in the 1980s, focusing on balls, voguing and the ambitions and dreams of those who gave the era its warmth and vitality.17.Octavia St. Laurent


  18. Portrait of a Lady on Fire (2019)
    dir. Céline Sciamma
    Synopsis: On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman.18(left) Adèle Haenel and Noémie Merlant


  19. Pride (2014)
    dir. Matthew Warchus
    Synopsis: U.K. gay activists work to help miners during their lengthy strike of the National Union of Mineworkers in the summer of 1984.19.George MacKay


  20. Princess Cyd (2017)
    dir. Stephen Cone
    Synopsis: Eager to escape life with her depressive single father, 16-year-old athlete Cyd Loughlin visits her novelist aunt in Chicago over the summer.20 (left) Rebecca Spence and Jessie Pinnick


  21. Rocketman (2019)
    dir. Dexter Fletcher
    Synopsis: A musical fantasy about the fantastical human story of Elton John‘s breakthrough years.
    21Taron Egerton


  22. Saving Face (2004)
    dir. Alice Wu
    Synopsis: A Chinese-American lesbian and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations.22Courtesy of Mongrel Media: (left) Michelle Krusiec and Lynn Chen 


  23. The Celluloid Closet (1995)
    dir. Rob Epstein & Jeffrey Friedman
    Synopsis: A documentary surveying the various Hollywood screen depictions of homosexuals and the attitudes behind them throughout the history of North American film.MSDCECL EC016(left) Quentin Crisp, Rob Epstein, and Jeffrey Friedman 


  24. Rafiki (2018)
    dir. Wanuri Kahiu
    Synopsis: “Good Kenyan girls become good Kenyan wives,” but Kena and Ziki long for something more. When love blossoms between them, the two girls will be forced to choose between happiness and safety.24(left) Samantha Mugatsia and Sheila Munyiva


  25. The Handmaiden (2016)
    dir. Chan-wook Park
    Synopsis: A woman is hired as a handmaiden to a Japanese heiress, but secretly she is involved in a plot to defraud her.25Tae-ri Kim


  26. The Kids Are All Right (2010)
    dir. Lisa Cholodenko
    Synopsis: Two children conceived by artificial insemination bring their biological father into their non-traditional family life.26(left) Annette Bening and Julianne Moore


  27. The Normal Heart (2014)
    dir. Ryan Murphy
    Synopsis:  A gay activist attempts to raise H.I.V. and A.I.D.S. awareness during the early 1980s.27(left) Joe Mantello and Mark Ruffalo 


  28. The Watermelon Woman (1996)
    dir. Cheryl Dunye
    Synopsis: A young black lesbian filmmaker probes into the life of The Watermelon Woman, a 1930s black actress who played ‘mammy’ archetypes.28Cheryl Dunye


  29. The Way He Looks (2014)
    dir. Daniel Ribeiro
    Synopsis: Leonardo is a blind teenager searching for independence. His everyday life, the relationship with his best friend, Giovana, and the way he sees the world change completely with the arrival of Gabriel.29 (left) Fabio Audi and Ghilherme Lobo


  30. Weekend (2011)
    dir. Andrew Haigh
    Synopsis: After a drunken house party with his straight mates, Russell heads out to a gay club. Just before closing time he picks up Glen but what’s expected to be just a one-night stand becomes something else, something special.30(left) Chris New and Tom Cullen 


These are the films that I wanted to highlight. Some are my favourite films, some are underrated and some definitely need to be seen for educational purposes. I hope that many of you will watch some of the films listed above. Sending love to everyone and please have a happy and safe Pride month.

So please continue to fight for the Black community and the LGBTQAI+ community, now and forever.

‘Always” Short Film Interview with Director Sam Zapiain and Writer/Producer Melissa Del Rosario


By: Amanda Guarragi

The 2nd Annual Desertscape International Film Festival in St. George, Utah is a festival that celebrates filmmakers around the globe. People are encouraged to submit their short films and student films to the festival. The festival normally runs from July 29th to August 1st. This year, the short film Always has been selected for the program. I spoke to the creators of the film, Director Sam Zapiain and Writer/Producer Melissa Del Rosario ahead of the festival.

Always is a short film, based on real life experiences. It incorporates horror elements to cope with the illness of diabetes. There is an urgency in the storytelling because no one really discusses the struggle of living with diabetes. Its experimental use of painted images and rough editing, combined with the haunting score, make this a truly special film.

The importance of making this film for Zapiain comes from a very personal place. He wanted to address the struggles of those who live with diabetes in a very realistic way. “About three years ago, I was diagnosed as a Type 2 Diabetic, and how I handled the symptoms that surfaced out of the blue and out of control felt like a horror story. Out of control.” It is a film that shows the numbness and fatigue through painted images, that come to life in the depths of Alex’s (David Kurtz) mind.

IMG_2311

The sketches were placed in Alex’s apartment to show that he was an artist and his designs allowed him to explore his inner thoughts. It was a spur of the moment idea, right as they were about to begin shooting the film Del Rosario says, “Sam had this idea right before we are set to shoot. I got some paper out and started sketching immediately and I’m happy it all worked out.” Zapiain also wanted to use the sketches as a creative outlet for him to understand what was happening to his body, while trying to understand the symptoms of being diagnosed with diabetes.

The most challenging aspect of filming this piece for Zapiain was learning to accept and acknowledge the presence of a disease. “For quite some time it was the idea of it being behind me, and somewhat in a state of denial or disbelief. Creating the film meant I knew it was here to stay, and it would make a statement on my life.” Zapiain also thanked his producer Del Rosario for helping him recognize the story, writing it, and gathering such a wonderfully talented cast and crew. “In a way, the people behind the film were my therapy. They helped me accustom.” 

It was important for Del Rosario to take on a project that was so personal to a close friend of hers. “For me, as someone who is not diabetic, I decided to learn more about this condition because someone I care about has it. It was truly terrifying to learn about. I believe it is important to raise awareness about this condition and the symptoms others may be experiencing.” It was a project Del Rosario wanted to work on because there are millions of people in the world that are diabetic, with many of the not knowing they are, undiagnosed.

The focus on the horror elements also enhanced the storytelling. Zapiain wanted to incorporate his love for horror and he did this through the use of repetition, quick edits and stunning monochromatic sequences vs the scenes with insulin that were in colour,

“From a technical standpoint, it was a field day for us to play with shadows, and utilize the horror aspect, exaggerating hallways, dark rooms, silhouettes, etc. Colour meant the reality of the situation. Realizing these horrifying images are in the main character’s perspective, (black and white), and what actually exists in color.

There’s such richness in these tones and the lighting was also extremely effective to punch up certain textures. It is a beautifully shot film and there are certain images that will stay in my mind for a while.

The film feels like a journey in such a short period of time. The repetition, rough cuts and haunting (but stunning) images are all utilized to properly highlight the struggle of living with diabetes. Always is very well written and executed, it’s a personal story and everyone should watch it. To learn more about the struggles of living with diabetes, go to the American Diabetes Association website.

 

A Love Letter to DCEU Fans: We Did It!


By: Amanda Guarragi 

To my fellow DC fans, I salute you, because we did it. The #ReleaseTheSnyderCut movement is a massive success and in 2021, on HBO Max, we will finally see our beloved Justice League come together as it was intended. Zack Snyder hosted a Man of Steel watch party today on the platform Vero, which he uses quite often. In his commentary, he discussed the choices he made in each scene in a very detailed manner and it showed how dedicated he was to bringing fans the best version of Superman. It was so much fun to watch because he gave his audience important information and pointed out a couple of easter eggs.

Zack Snyder has always created beautiful films that are deeply rooted in the source material. Most importantly, he has fun on set because he loves the material so much. Zack Snyder is a great director because he is also a fan of the content. When he was describing Superman’s first flight and showing his storyboards, you could feel how much love went into those scenes. Today was a very special day because towards the end of the film, Henry Cavill made an appearance and talked about how he felt putting on the suit. It was a great moment, considering we haven’t really seen Henry Cavill, let alone him speaking about the Snyder Cut, but I always knew there was a plan in place.

After 4 long years of being extremely vocal about Warner Brothers releasing the Snyder Cut of Justice League, it was finally confirmed from the man himself. At the end of the livestream, Zack and Deborah Snyder had a couple of fans join their Zoom call with Henry. This also proved that Zack has a very close relationship with his fanbase and loves having discussions with them. He answered all their questions, including the one in regards to the Snyder Cut. At first Henry, Zack and Deborah laughed. Zack awkwardly said, “It’s out of my control. It’s not up to me.” then he started talking about a tiny flash drive, that he left in a bathroom stall somewhere, to try and divert the question.

At that point, I thought we were duped. I thought there would be no announcement because he was diverting the question, but Henry came to the rescue. It fell silent for a moment and then Henry said, “You know what, I think I’d like to see it.” and Zack answered, “Oh, really? Well I can’t just show it but I can do this.” Zack then turns the camera to his big screen, where he was watching Man of Steel on, and this showed up.

JL official

courtesy of HBO Max

Beautiful right? The moment we’ve been waiting for and he announced it in the most Zack Snyder way. Everything started with Man of Steel and Zack’s version of Superman. It all started with Henry Cavill. Superman hasn’t risen yet because Zack Snyder’s Justice League hasn’t been released. It was only fitting that Henry, Zack and Deborah would all join together to make this announcement. The internet pretty much exploded today and all DC fans are beyond happy. My Twitter timeline took me back to a time where we were gearing up for Justice League and it gave me that same feeling today. All the friends I have made in the DC community and the #ReleaseTheSnyderCut movement has truly been amazing. We went up to bat for our director and now his vision will finally be complete.

It is a very emotional day for so many people. This community has been through so many bad moments but our love for these characters and these films helped us push through. We have constantly been under fire and we have had to defend these films for the past 4 years. It has been a very long journey but it was definitely worth it because today, today we made history. To everyone that used the hashtag, to everyone who defended these films and these actors, this couldn’t have been possible without you guys. We have been a team since SDCC in 2015, ever since we saw the footage for Batman v Superman. We went through all the criticism and the hatred together, but we stuck to our guns and made the impossible happen. Today is for all of you.

To Zack Snyder, Deborah Snyder, Henry Cavill, Amy Adams, Ben Affleck, Gal Gadot, Ray Fisher, Jason Momoa and Ezra Miller, on behalf of the whole fanbase, thank you a million times over for your love and dedication to these characters. The DCEU would not be the same without you guys. You have all made comic book films that deeply resonate with so many people around the world and with characters that have been iconic throughout history. You have all built the foundation for the future of the DCEU and we truly can’t wait to see what comes next.

Whether Zack Snyder’s Justice League, is a six episode television series, or a three hour epic released on HBO Max, we will all be there on the very first day it is released, watching it because it’s going to be a big moment. Hope is what got all of us here and that’s why today is overwhelming, especially by watching Man of Steel. It’s not an “S”, on Kal’s planet, it means hope. The definition of hope, the feeling of it and having it payoff, is what today is.

How The 2021 Oscars Will Look, If It Doesn’t Get Postponed


By: Amanda Guarragi 

Every year there are films lined up for Oscar season and some films that are sprinkled across the year, hoping to be standouts in order to be in the running. In 2020, the world has faced a global pandemic which has changed the way we live. It has also changed the way most industries operate. The Entertainment Industry has definitely felt this shift, due to the fact that movie theatres are now closed and it is unclear as to when they will reopen. Everything is up in the air and only a handful of films will be released this year, so the big question is… how are the Oscars going to work?

In a recent Variety article, Marc Malkin says that the Oscars may be postponed. The sources, who chose to remain anonymous, stated that “Definitive plans are far from being concrete at this juncture. The telecast is currently set for Feb. 28, 2021, on ABC.” The sources, who have been close to the subject, said that it will most likely be postponed. There could be potential new dates but they haven’t been fully discussed yet or properly mapped out. There were new (temporary) rule changes for Oscar eligibility released in April because of COVID -19.

“The board of governors approved a temporary hold on the requirement that a film needs a seven-day theatrical run in a commercial theater in Los Angeles County to qualify for the Oscars.” says Marc Malkin from Variety. As long as the film had a planned theatrical release, it is still eligible for an Oscar nomination. It doesn’t mean that any film premiering on a streaming service is eligible. With this shift in the moviegoing experience, it seems fitting to change the guidelines temporarily, so films that had a planned theatrical release and are currently going straight to VOD, can have the same chance in getting nominated.

If the Academy already changed the guidelines, because they sympathized with the filmmakers, who worked so hard in getting their film out there and making the conscious choice to STILL release it on VOD, why are they planning on postponing it? What was the point in changing the guidelines, if you’re about to change the game entirely? How does postponing the Oscars benefit any of the films/filmmakers?

These are the questions that I’m curious to know the answers to. There are films that have been (and will be) released this year that are eligible and “worthy” enough of an Oscar run, so why not give them an even chance? If they choose to postpone the Oscars, won’t there be double the films to choose from, in order to hand out that golden statue? Are the categories going to include 10 nominees, instead of 5, because there are more films to cover? It doesn’t seem like the best move.

These are the films that could possibly be nominated for Oscars for the 2021 season:

  • Emma 
    Best Actress: Anya Taylor Joy
    Best Cinematography: Christopher Blauvelt
    Best Director: Autumn de Wilde
    Best Adapted Screenplay: Eleanor Catton
    Best Original Score: Isobel Waller-Bridge & David Schweitzer


  • The Way Back 
    Best Actor: Ben Affleck
    Best Director: Gavin O’Connor
    Best Original Screenplay: Brad Ingelsby


  • The Invisible Man 
    Best Picture: Jason Blum & Kylie du Fresne
    Best Actress: Elisabeth Moss
    Best Director: Leigh Whannell
    Best Original Screenplay: Leigh Whannell
    Best Original Score: Benjamin Wallfisch
    Best Editing: Andy Canny


    Best Visual Effects:
    The Invisible Man 
    Wonder Woman 1984
    Tenet
    Dune
    Sonic the Hedgehog


  • Never Rarely Sometimes Always 
    Best Actress: Sidney Flanigan
    Best Original Screenplay: Eliza Hittman
    Best Cinematography: Hélène Louvart
    Best Director: Eliza Hittman


    Best Animated Feature: 
    Sonic The Hedgehog
    Onward
    Scoob!
    Trolls World Tour
    Soul



  • Tenet 
    Best Picture: Christopher Nolan & Emma Thomas
    Best Director: Christopher Nolan
    Best Actor: John David Washington
    Best Supporting Actor: Robert Pattinson
    Best Original Screenplay: Christopher Nolan
    Best Original Score: Ludwig Göransson
    Best Editing: Jennifer Lame


  • The French Dispatch 
    Best Picture: Wes Anderson, Steven Rales & Jeremy Dawson
    Best Director: Wes Anderson
    Best Original Screenplay: Wes Anderson
    Best Original Score: Alexandre Desplat
    Best Cinematography: Robert Yeoman


  • Capone 
    Best Director: Josh Trank
    Best Original Screenplay: Josh Trank
    Best Actor: Tom Hardy
    Best Supporting Actress: Linda Cardellini
    Best Cinematography: Peter Deming


  • Da 5 Bloods (Netflix)
    Best Picture: Jon Kilik, Spike Lee, Beatriz Levin & Lloyd Levin
    Best Director: Spike Lee
    Best Cinematography: Newton Thomas Sigel
    Best Original Score: Terence Blanchard
    Best Editing: Adam Gough
    Best Adapted Screenplay: Danny Bilson, Paul De Meo, Spike Lee and Kevin Willmott


  • Mank (Netflix) 
    Best Picture: David Fincher, Ceán Chaffin, Eric Roth and Douglas Urbanski
    Best Director: David Fincher
    Best Adapted Screenplay: Jack Fincher
    Best Actor: Gary Oldman
    Best Supporting Actress: Amanda Seyfried
    Best Original Score: Trent Reznor & Atticus Ross
    Best Cinematography Erik Messerschmidt
    Best Editing: Kirk Baxter


  • Dune
    Best Picture: Mary Parent, Cale Boyter, Joe Caracciolo Jr. and Denis Villeneuve
    Best Director: Denis Villeneuve
    Best Adapted Screenplay: Jon Spaihts, Eric Roth & Denis Villeneuve
    Best Actor: Timothée Chalamet
    Best Supporting Actress: Rebecca Ferguson
    Best Supporting Actor: Oscar Isaac
    Best Original Score: Hans Zimmer
    Best Cinematography: Greig Fraser
    Best Editing: Joe Walker


This list that I have compiled is solely based on what I believe to be possible Oscar contenders. Majority of these films are highly anticipated and have been adamant in not moving their release date, due to COVID 19. This is all hypothetical and if the restrictions are still in place from September onwards, they need to make the decision to send it straight to VOD or postpone their film entirely. I personally think it’s not the right decision to postpone the Oscars because all of the films listed above should be given the fair chance to be nominated, based on the slate of their year. If the Academy combines the 2020 & 2021 slates, it will be too much for anyone to handle.

“It is still unclear if postponing the Oscars will also mean that the Academy will allow films released after the year-end deadline to qualify for the 2021 Oscars.” says Marc Malkin for Variety. It is a very difficult decision to make, but it is also very premature to even consider postponing, if we are only half way through the year. At the end of the day, you don’t make pictures for Oscars, as the wise director Martin Scorsese has said, but it’s sure great to get recognized for your work.