A Love Letter to DCEU Fans: We Did It!


By: Amanda Guarragi 

To my fellow DC fans, I salute you, because we did it. The #ReleaseTheSnyderCut movement is a massive success and in 2021, on HBO Max, we will finally see our beloved Justice League come together as it was intended. Zack Snyder hosted a Man of Steel watch party today on the platform Vero, which he uses quite often. In his commentary, he discussed the choices he made in each scene in a very detailed manner and it showed how dedicated he was to bringing fans the best version of Superman. It was so much fun to watch because he gave his audience important information and pointed out a couple of easter eggs.

Zack Snyder has always created beautiful films that are deeply rooted in the source material. Most importantly, he has fun on set because he loves the material so much. Zack Snyder is a great director because he is also a fan of the content. When he was describing Superman’s first flight and showing his storyboards, you could feel how much love went into those scenes. Today was a very special day because towards the end of the film, Henry Cavill made an appearance and talked about how he felt putting on the suit. It was a great moment, considering we haven’t really seen Henry Cavill, let alone him speaking about the Snyder Cut, but I always knew there was a plan in place.

After 4 long years of being extremely vocal about Warner Brothers releasing the Snyder Cut of Justice League, it was finally confirmed from the man himself. At the end of the livestream, Zack and Deborah Snyder had a couple of fans join their Zoom call with Henry. This also proved that Zack has a very close relationship with his fanbase and loves having discussions with them. He answered all their questions, including the one in regards to the Snyder Cut. At first Henry, Zack and Deborah laughed. Zack awkwardly said, “It’s out of my control. It’s not up to me.” then he started talking about a tiny flash drive, that he left in a bathroom stall somewhere, to try and divert the question.

At that point, I thought we were duped. I thought there would be no announcement because he was diverting the question, but Henry came to the rescue. It fell silent for a moment and then Henry said, “You know what, I think I’d like to see it.” and Zack answered, “Oh, really? Well I can’t just show it but I can do this.” Zack then turns the camera to his big screen, where he was watching Man of Steel on, and this showed up.

JL official

courtesy of HBO Max

Beautiful right? The moment we’ve been waiting for and he announced it in the most Zack Snyder way. Everything started with Man of Steel and Zack’s version of Superman. It all started with Henry Cavill. Superman hasn’t risen yet because Zack Snyder’s Justice League hasn’t been released. It was only fitting that Henry, Zack and Deborah would all join together to make this announcement. The internet pretty much exploded today and all DC fans are beyond happy. My Twitter timeline took me back to a time where we were gearing up for Justice League and it gave me that same feeling today. All the friends I have made in the DC community and the #ReleaseTheSnyderCut movement has truly been amazing. We went up to bat for our director and now his vision will finally be complete.

It is a very emotional day for so many people. This community has been through so many bad moments but our love for these characters and these films helped us push through. We have constantly been under fire and we have had to defend these films for the past 4 years. It has been a very long journey but it was definitely worth it because today, today we made history. To everyone that used the hashtag, to everyone who defended these films and these actors, this couldn’t have been possible without you guys. We have been a team since SDCC in 2015, ever since we saw the footage for Batman v Superman. We went through all the criticism and the hatred together, but we stuck to our guns and made the impossible happen. Today is for all of you.

To Zack Snyder, Deborah Snyder, Henry Cavill, Amy Adams, Ben Affleck, Gal Gadot, Ray Fisher, Jason Momoa and Ezra Miller, on behalf of the whole fanbase, thank you a million times over for your love and dedication to these characters. The DCEU would not be the same without you guys. You have all made comic book films that deeply resonate with so many people around the world and with characters that have been iconic throughout history. You have all built the foundation for the future of the DCEU and we truly can’t wait to see what comes next.

Whether Zack Snyder’s Justice League, is a six episode television series, or a three hour epic released on HBO Max, we will all be there on the very first day it is released, watching it because it’s going to be a big moment. Hope is what got all of us here and that’s why today is overwhelming, especially by watching Man of Steel. It’s not an “S”, on Kal’s planet, it means hope. The definition of hope, the feeling of it and having it payoff, is what today is.

How The 2021 Oscars Will Look, If It Doesn’t Get Postponed


By: Amanda Guarragi 

Every year there are films lined up for Oscar season and some films that are sprinkled across the year, hoping to be standouts in order to be in the running. In 2020, the world has faced a global pandemic which has changed the way we live. It has also changed the way most industries operate. The Entertainment Industry has definitely felt this shift, due to the fact that movie theatres are now closed and it is unclear as to when they will reopen. Everything is up in the air and only a handful of films will be released this year, so the big question is… how are the Oscars going to work?

In a recent Variety article, Marc Malkin says that the Oscars may be postponed. The sources, who chose to remain anonymous, stated that “Definitive plans are far from being concrete at this juncture. The telecast is currently set for Feb. 28, 2021, on ABC.” The sources, who have been close to the subject, said that it will most likely be postponed. There could be potential new dates but they haven’t been fully discussed yet or properly mapped out. There were new (temporary) rule changes for Oscar eligibility released in April because of COVID -19.

“The board of governors approved a temporary hold on the requirement that a film needs a seven-day theatrical run in a commercial theater in Los Angeles County to qualify for the Oscars.” says Marc Malkin from Variety. As long as the film had a planned theatrical release, it is still eligible for an Oscar nomination. It doesn’t mean that any film premiering on a streaming service is eligible. With this shift in the moviegoing experience, it seems fitting to change the guidelines temporarily, so films that had a planned theatrical release and are currently going straight to VOD, can have the same chance in getting nominated.

If the Academy already changed the guidelines, because they sympathized with the filmmakers, who worked so hard in getting their film out there and making the conscious choice to STILL release it on VOD, why are they planning on postponing it? What was the point in changing the guidelines, if you’re about to change the game entirely? How does postponing the Oscars benefit any of the films/filmmakers?

These are the questions that I’m curious to know the answers to. There are films that have been (and will be) released this year that are eligible and “worthy” enough of an Oscar run, so why not give them an even chance? If they choose to postpone the Oscars, won’t there be double the films to choose from, in order to hand out that golden statue? Are the categories going to include 10 nominees, instead of 5, because there are more films to cover? It doesn’t seem like the best move.

These are the films that could possibly be nominated for Oscars for the 2021 season:

  • Emma 
    Best Actress: Anya Taylor Joy
    Best Cinematography: Christopher Blauvelt
    Best Director: Autumn de Wilde
    Best Adapted Screenplay: Eleanor Catton
    Best Original Score: Isobel Waller-Bridge & David Schweitzer


  • The Way Back 
    Best Actor: Ben Affleck
    Best Director: Gavin O’Connor
    Best Original Screenplay: Brad Ingelsby


  • The Invisible Man 
    Best Picture: Jason Blum & Kylie du Fresne
    Best Actress: Elisabeth Moss
    Best Director: Leigh Whannell
    Best Original Screenplay: Leigh Whannell
    Best Original Score: Benjamin Wallfisch
    Best Editing: Andy Canny


    Best Visual Effects:
    The Invisible Man 
    Wonder Woman 1984
    Tenet
    Dune
    Sonic the Hedgehog


  • Never Rarely Sometimes Always 
    Best Actress: Sidney Flanigan
    Best Original Screenplay: Eliza Hittman
    Best Cinematography: Hélène Louvart
    Best Director: Eliza Hittman


    Best Animated Feature: 
    Sonic The Hedgehog
    Onward
    Scoob!
    Trolls World Tour
    Soul



  • Tenet 
    Best Picture: Christopher Nolan & Emma Thomas
    Best Director: Christopher Nolan
    Best Actor: John David Washington
    Best Supporting Actor: Robert Pattinson
    Best Original Screenplay: Christopher Nolan
    Best Original Score: Ludwig Göransson
    Best Editing: Jennifer Lame


  • The French Dispatch 
    Best Picture: Wes Anderson, Steven Rales & Jeremy Dawson
    Best Director: Wes Anderson
    Best Original Screenplay: Wes Anderson
    Best Original Score: Alexandre Desplat
    Best Cinematography: Robert Yeoman


  • Capone 
    Best Director: Josh Trank
    Best Original Screenplay: Josh Trank
    Best Actor: Tom Hardy
    Best Supporting Actress: Linda Cardellini
    Best Cinematography: Peter Deming


  • Da 5 Bloods (Netflix)
    Best Picture: Jon Kilik, Spike Lee, Beatriz Levin & Lloyd Levin
    Best Director: Spike Lee
    Best Cinematography: Newton Thomas Sigel
    Best Original Score: Terence Blanchard
    Best Editing: Adam Gough
    Best Adapted Screenplay: Danny Bilson, Paul De Meo, Spike Lee and Kevin Willmott


  • Mank (Netflix) 
    Best Picture: David Fincher, Ceán Chaffin, Eric Roth and Douglas Urbanski
    Best Director: David Fincher
    Best Adapted Screenplay: Jack Fincher
    Best Actor: Gary Oldman
    Best Supporting Actress: Amanda Seyfried
    Best Original Score: Trent Reznor & Atticus Ross
    Best Cinematography Erik Messerschmidt
    Best Editing: Kirk Baxter


  • Dune
    Best Picture: Mary Parent, Cale Boyter, Joe Caracciolo Jr. and Denis Villeneuve
    Best Director: Denis Villeneuve
    Best Adapted Screenplay: Jon Spaihts, Eric Roth & Denis Villeneuve
    Best Actor: Timothée Chalamet
    Best Supporting Actress: Rebecca Ferguson
    Best Supporting Actor: Oscar Isaac
    Best Original Score: Hans Zimmer
    Best Cinematography: Greig Fraser
    Best Editing: Joe Walker


This list that I have compiled is solely based on what I believe to be possible Oscar contenders. Majority of these films are highly anticipated and have been adamant in not moving their release date, due to COVID 19. This is all hypothetical and if the restrictions are still in place from September onwards, they need to make the decision to send it straight to VOD or postpone their film entirely. I personally think it’s not the right decision to postpone the Oscars because all of the films listed above should be given the fair chance to be nominated, based on the slate of their year. If the Academy combines the 2020 & 2021 slates, it will be too much for anyone to handle.

“It is still unclear if postponing the Oscars will also mean that the Academy will allow films released after the year-end deadline to qualify for the 2021 Oscars.” says Marc Malkin for Variety. It is a very difficult decision to make, but it is also very premature to even consider postponing, if we are only half way through the year. At the end of the day, you don’t make pictures for Oscars, as the wise director Martin Scorsese has said, but it’s sure great to get recognized for your work.

Female Led ‘Pirates of the Caribbean’ “Reboot” Moving Forward At Disney


BY: Amanda Guarragi 

The Pirates of the Caribbean franchise has been a staple in the Disney library since Curse of the Black Pearl was released in 2003. Audiences were introduced to the fearless Elizabeth Swan (Keira Knightley), the blacksmith Will Turner (Orlando Bloom) and the drunken pirate himself, CAPTAIN Jack Sparrow (Johnny Depp) all three actors were at their peak and brought their characters to life. The franchise was financially successful at the box office, the five films in the saga have grossed over $4.5 billion at the worldwide box office.

The Pirates of the Caribbean films were nothing short of iconic. CAPTAIN Jack Sparrow gained Johnny Depp his first Oscar nomination in 2004, proving that he will forever be defined as that character. The love story between Will Turner and Elizabeth Swann is more than just Disney pirate lore, it’s a story that will be remembered by all forever because of how fun and adventurous their journey was. Orlando Bloom solidified his action adventure status with Pirates of the Caribbean and Keira Knightley truly outshined them all as Elizabeth Swann sailed towards her destiny as Pirate King.

These films ruled the high seas of the box office in the early 2000s and it’s one of Disney’s greatest franchises. So, here’s the question we’re all asking… “Why are you giving a beloved classic a reboot?” It doesn’t really make sense, since the last film Dead Men Tell No Tales fizzled with the storyline, even though it made $794.1 million at the box office. The original trilogy had a full story arc and they knew they story they wanted to tell. A Pirates of the Caribbean film without CAPTAIN Jack Sparrow, Elizabeth Swann or Will Turner is just not the same movie.

Earlier today it was reported by Disnsider that there would be a full on reboot with a female lead. Sources say that Karen Gillan is eyed to be the lead, but they are also looking for women of colour to be at the forefront in the film. According to Daniel Richtman, the story could possibly be centred around the Disney Parks attraction character, Redd, who is a meet-and-greet character. Jerry Bruckheimer is also set to return as producer on the project and Ted Elliot is as well to write the screenplay. The budget of the film, according to Disnsider, is $100 million and is being made for  theatrical release, instead of heading to Disney+ as a series.

Here’s the thing, Disney needs more original content involving a female lead that isn’t a princess. Their library is getting stale and making these reboots of their earlier films is just playing it safe at the box office. Instead of rebooting or remaking beloved classics that people grew up with, why not create an entirely new story with a female lead that could add to the Disney library? That’s the issue with reboots or remakes, there’s always going to be a predecessor that it will be compared to, even if it is a spinoff.

The time of CAPTAIN Jack Sparrow has come and gone. Everyone knows there’s no Pirates of the Caribbean franchise without him, and it’s extremely obvious that he won’t be involved in the reboot. So for the sake of clarifying what “reboot” actually means in this specific situation, it doesn’t actually mean a reboot, but a spin-off with an entirely new characters. I also don’t think a theatrical release would be beneficial to the pirate world, a series for this theme park character, would add some more family friendly content to the Disney+ streaming service.

The Skywalker Saga Rant


BY: Amanda Guarragi 

May the Fourth be with you all on Star Wars Day.

After four decades of Star Wars content, the Skywalker saga finally came to an end last year, with The Rise of Skywalker. Today Disney Plus released the final instalment on their streaming, two months ahead of schedule and the series finale of Star Wars: The Clone Wars was also released to celebrate today. Disney really had the right idea in mind to have a Star Wars party on the day that is treasured by so many fans worldwide. The Skywalker Saga is truly something special, so I thought I would do a breakdown, of what I think of the series as a whole.

Even if you haven’t succumbed to the hardcore nature of the fanbase, everyone knows who Luke Skywalker is and his story. It’s a tale as old as time now, considering that A New Hope came out in 1977, its lore is now embedded in pop culture forever. For those who have invested so much time, love, and money in the Skywalker Saga, it’s fair to say that when any new age Star Wars film was released, the fans were extremely critical of what Disney was doing to these characters.

Some have said that The Force Awakens was a carbon copy of A New Hope and in many ways it was. However, I found that having some similarities while introducing it to a new generation, helped them appreciate the original saga and the journey they were about to embark on with the new ones. There are similar personality traits with certain characters and it was entertaining to watch them interact. The Force Awakens presented a new, more diverse cast and it all seemed promising. Disney also marketed the new Star Wars saga extremely well and that was the driving force of this new trilogy.

The Force Awakens was my first Star Wars film that I watched in theatres and I think that’s why I enjoyed it so much. I didn’t think I would feel emotional watching the opening titles the way I did, but it was such a huge moment. I always envied the people who were able to watch Star Wars on the big screen and when I eventually did, I finally understood how powerful the Star Wars films were. I had become heavily invested in the characters and couldn’t wait for more content, I was hooked.

I would be considered a freshman to the world of Star Wars. I enjoyed watching the original trilogy and the prequel trilogy but I have to admit that I was never a die hard fan. It’s a franchise that everyone should watch in their lifetime and that’s why I did it. As much as people hate the prequel trilogy, it was great to see how Anakin and Obi Wan started. It made Luke’s story so much richer and then his encounter with Darth Vader in The Empire Strikes Back holds so much weight and it’s a very emotional moment. The new trilogy used nostalgia to pull on the heartstrings and that’s why the attachment to these new characters were different. The reason why we loved Rey, Finn, Poe and Kylo was because they were somehow connected to previous characters, whether it was lineage or similar character traits.

I became attached to these characters and I really enjoyed the story arc of one of them in particular. Even though Rey was the lead and it was great to see a woman, at the forefront in a Star Wars film, Kylo Ren still had the most interesting story in the new trilogy. He is the son of a Solo and a Skywalker, he is apart of the golden lineage that has graced the screen for the past four decades. He is a descendent of Anakin Skywalker and struggles with both, light and dark, within him because of who his parents were. Ben Solo was THE BEST character in the trilogy and it is because he is a Skywalker.

There has been so much controversy surrounding the new trilogy and it was because a woman was at the forefront. People also complained that the nostalgia overpowered the content of the film and they never had a clear plan for this trilogy. When The Last Jedi was released, I was blown away by the stunning visuals and the story involving Luke Skywalker. Rian Johnson added so many layers to the world and the meaning of hope in one film, but sadly others felt that the magic of Star Wars was ruined. After The Last Jedi the discourse did not stop until we all caught a glimpse of The Rise of SkywalkerThey didn’t really show much and the trailer seemed promising because it was the final film in the Skywalker saga.

The months leading up to The Rise of Skywalker were quiet. There wasn’t the same hype as the previous instalments. Even the marketing seemed more tame. You could say there was a shift in the force. There was an entirely different feeling going into the final film and no, it wasn’t the same as heading into Avengers: Endgame or gearing up to watch the Game of Thrones finale. No, there was a different type of dread that I couldn’t  understand. People were genuinely worried with how they were going to wrap up four decades worth of a story. Everyone had a right to be worried because, like I said before, there was no plan for this trilogy.

We went from a sequel that restored hope in the galaxy, showing that anyone can become a jedi and harness that power, to a film that completely erased everything that came before it. The Rise of Skywalker was a complete mess the second we found out about Rey’s lineage. I loved the first half of that film because Poe was finally at the forefront and Finn also had a bit more to do. I was gearing up for Rey and Kylo to be the balance in the force and work together, while Kylo turns back to the light. How can you call something The Rise of Skywalker and then cut the lineage? That’s what was so frustrating. No one wanted Rey to be anyone. The fact that she was a nobody and she wanted to study the Jedi way, was what made her story unique. The fact that anybody could harness that power is what made her special.

If anyone should get their own trilogy it should be Ben Solo because of the injustice they served his character. I just couldn’t believe the journey they decided to take him on and then just destroy it in the most irresponsible way. A name is important, you don’t just give away a name to try and make sense of the title you gave your own film. Rey had no right to take up the Skywalker name, considering her lineage of being a Palpatine, which is also just lazy writing. How can you give a Palpatine, the Skywalker name after four decades worth of a story? It definitely leaves a bitter taste in everyone’s mouth, it sure did make me angry when I walked out of that theatre.

Whether you loved The Rise of Skywalker or hated it, the Skywalker saga has made a huge impact on pop culture and will always have a place in everyone’s hearts. In a way the ending of The Last Jedi could technically be used as the last film in the Skywalker story. It did end with Luke dying and restored hope to the galaxy. This debate will go on forever, but don’t worry Disney has more things planned for the Star Wars universe. They won’t let it fizzle out after one bust. So I hope everyone enjoys their mini Star Wars marathon today and may the force be with you always.

*click here to see where I ranked each Star Wars film*

 

 

The Hollywood Shift: What Does The Future Hold For Movie Theatres?


By: Amanda Guarragi

For the past couple of years the film industry has been gradually shifting and we know where it’s heading. Streaming content has finally become a major player in the industry,  whether the films are on; Netflix, Hulu, Amazon Prime, HBO Max or Disney Plus, these major streaming platforms have acquired films from major studios, produced their own or found independent films to distribute. Streaming platforms have been silently progressing and they have changed the moviegoing experience entirely.

News broke out earlier this week that the Oscars will consider films that didn’t play in theatres as a part of the new Academy rules. However, there are guidelines as to how this would play out for Oscar season, Marc Malkin for Variety breaks it down, “To be considered, the streamed film must have already had a planned theatrical release. The film must also be made available on the Academy Screening Room member-only streaming site within 60 days of the film’s streaming or VOD release.” This is a welcomed change for independent films that only have a limited theatre release and head straight to streaming.

That wasn’t the only discourse the made headlines though. It was a huge week for the film industry as Trolls World Tour released it’s PVOD earnings, it took in $100 million in premium DVD rentals in its first three weeks of play in North America. The film apparently made more on VOD than the first instalment, which had a five month run in theatres. This raised a lot of eyebrows because of the profit it made in one month on VOD vs a 5 month run in theatres. CEO of NBCUniversal, Jeff Shell made this statement following the success of the film, “The results for ‘Trolls World Tour’ have exceeded our expectations and demonstrated the viability of PVOD. As soon as theaters reopen, we expect to release movies on both formats.” The reason why this is such a huge deal for studios is that they can create a bridge between theatrical releases and accessibility through streaming internationally.

However, the excitement of that news, was overpowered by movie theatre chains disagreeing with Universal’s decision to release their films on both formats. It first upset AMC, which is the largest theatre chain in the United States (who is also on the verge of bankruptcy) because they obviously want content to exclusively play at their theatres. They were clearly upset, they countered Shell’s statement and said that they would no longer show any Universal Studios pictures at their theatre. Not only did they decide to boycott Universal, but so did Regal, Odeon and now Cineworld in the United Kingdom. These are all major theatre chains boycotting a studio that has No Time to Die, Jurassic World: Dominion, Minions: The Rise of Gru and Fast & Furious 9 slated for a 2020/2021 release in theatres.

If you read the statement from Jeff Shell again, he did not say that there would be no theatrical release of the studios films. He just said, due to the success of Trolls World Tour on VOD, it would be a great business decision to do both. It’s a very simple statement that allows the rest of the studios to see how this formula could work moving forward. Warner Brothers is releasing Scoob! straight to VOD and Disney is moving Artemis Fowl to Disney Plus, are they also violating the code that AMC is apparently following? Why isn’t AMC going after them? What was so wrong in what Jeff Shell said?

I have been saying that we need to bridge theatrical and streaming together because it’s the future. The reason why people aren’t going to the theatres regularly is because the prices for tickets and concessions are way too high. Sure, it’s fine if you’re one person going to watch a movie, but the issue is that families are spending over $100 for one outing to the theatre. Majority of moviegoers only watch event/franchise films and those only come out once/twice a month. What Universal plans to do, will change the face of the industry and it has been a long time coming.

So, are movie theatres dying? The answer is no. The moviegoing experience will never die and it’s because people enjoy going out. Movie theatres will always be apart of the Entertainment experience. Whether it’s a date, a girls night, family movie night, alone time to catch that indie no one wants to watch with you or a massive event film that you want to experience in IMAX, movie theatres will never die, the studios just need to change their approach. If theatre chains don’t want to make their prices more affordable, then studios will create the accessibility to their films through VOD or streaming platforms.

This response from AMC and the rest of the theatre chains is just fear. It’s fear that the industry is changing and they feel like the entire experience will vanish. Were people scared to release talkies during the silent film era? Were people scared to switch over to Technicolour from black and white? Were people scared to film with IMAX cameras or in 3D? Were people scared to switch from film to digital? Were people scared to release their film on Netflix? The answer is yes, but look at how much the industry has accomplished. If the pioneers of cinema didn’t push the boundary, we wouldn’t have what we have now.

This is just the tip of the iceberg in regards to what movie theatres are going to go through during this period of time. Due to the COVID 19 pandemic, there is no date as to when this will be over and movie theatres will be open. It could take as long as a year to come up with a vaccine and the most important thing is to keep everyone safe. Opening theatres prematurely because you want to make money is a very inconsiderate thing to do. If studios can give people new content as a form of escapism from their reality, I think it would help so many people because then they have a little something to look forward to.