How the Female Experience is Depicted in the Short Film “Twist”: An Interview with Aly Migliori


By: Amanda Guarragi

Women have shared so many similar experiences with each other for many years and there have been films that have truly captured the female experience. The short film Twist, written and directed by Aly Migliori, analyzes the loss of innocence in this coming of age thriller. It takes the female experience and tells a universal story that women know a little too well. Migliori gives a fresh take and elevates the experience through the use of colours, lighting, minimal dialogue and the score.

Migliori wanted to put these character in a space and in this heightened period all in one night, “I wanted to show the consequences, the learning, the growth and kind of feeling the loss of innocence without any kind of explicit blame or anything. It’s a pretty impactful moment for her, it’s pretty innocuous for the others.” The film takes place at night as a teenager named Hannah (Helena Howard), finishes work at her local ice cream parlour and she walks home alone at night. A car, with three boys pulls up right beside her and they convince her to get in, so they can drive her home.

She takes this universal story, this universal experience and makes a great thriller while addressing a young girls first encounter with the dangers of being a woman. Naming the film Twist was extremely clever because it’s an entendre. Migliori played with the idea of the expectations of the title, both literally and how everything unfolded at the ice cream parlour. She goes on to say that, “The ice cream parlour, this very Americana ice cream parlour has connotations with American nostalgia, American childhood and kind of American censorship. I think this story is kind of resisting that mythology, while playing with it.” That is why the ice cream parlour as the centerpiece of the film worked so well. It felt like a wholesome location because of the nostalgia tied to everyone’s childhood and then Migliori turned it into a place that has scarred its lead character.

Courtesy of First Hunt Films

What was most impressive was how the score elevated the moment Hannah realized what was happening and how this moment would affect her for the rest of her life. All women remember the one moment where everything changed, when their perception of the world, of boys, changed. The score had this teenage pop angst as Migliori described with a sinister undertone that completely worked with Howard’s performance. The connection was so raw and it forces the viewer to remember that specific moment in their own lives.

What really tied everything together was the cinematography and the use of lighting. The choice to light up the ice cream parlour and make that the standout while keeping everything else around the parlour in darkness worked very well. There were bright reds used at the beginning of the film and then as the film got deeper into the story, it got darker, “The red takes on a much darker meaning later on, as the story progresses we’re still using the same colour palette, we’re just shifting it darker and she’s kind of growing up and losing her rose coloured glasses on all of the elements of the female experience.” Watching Hannah go through that experience and having all of these elements change with her made a huge impact.

Twist is a short film that offers so much in such a short period of time. It dives into the female experience and leaves you questioning the moments in your own life. All women have a similar story and no, that is not an exaggeration. Aly Migliori delivers on all fronts and her biggest aspirational takeaway is that hopefully some people find a certain parallelism in their own experiences and feel heard, while also truly enjoying this story.

Cake Day: A Story About Recovery With Filmmakers Phillip Thomas and Cameron Crosby


By: Amanda Guarragi

Cake Day is a short film that authentically highlights the journey of an addict. Cameron (Cameron Crosby) emotionally deteriorates, as he contemplates the consequences of honesty, on a day of celebration during one of his meetings. It is a poignant film that is directed with such care and honesty from everyone involved. It is important to handle this subject matter with the utmost respect, when generally retelling an experience that you may, or may not have been directly affected by. The centerpiece of this film is the meeting itself and that is why it is so special.

Director Phillip Thomas really wanted to present an emotional story that would speak to everyone. He wanted to be able to create a sense of empathy and understanding for those who have been struggling with an addiction. He managed to create a community within the film itself. It was comforting to watch this short film, knowing that the people behind the camera wanted to create this support system for its viewers,

You can’t tell an experience like this without having the authenticity and people around you to teach you what it is or else you’re going to fail. That was the whole point of the process of doing this short film, it was to make sure that I could in fact speak on behalf of people, that I haven’t experienced what they’ve experienced.”

– Phillip Thomas, Director of Cake Day

Thomas did his research and he went to different meetings with Cameron Crosby to help get a better understanding in how to tell this story. They only had three days to shoot this film and the bulk of the film takes place in one of the meeting rooms they actually attended. Thomas made sure to keep the exact same setup to make it feel authentic because normally there is no documentation of any meeting. In order to create a sense of community for his audience he needed to accurately create the atmosphere as well.

When collaborating with filmmakers, especially when discussing difficult subject matter, there is a support system that builds, when working with everyone without even realizing it. There are friendships that form when going through a creative process with others, even more so when the subject hits close to home. When getting into character, Crosby found it a bit challenging to get into the that headspace again, “To go into the headspace of the what if, what if that would happen to me and how I would react to it and like whether to move forward and try to get better.” Crosby gave an emotional, internalized performance because it came from such a personal space.

Courtesy of Superfan Pictures and Image Nation Films

Crosby wanted to be apart of a film that would send a positive message to anyone struggling, he was happy to work with Thomas because of all the care that went into the story,

“I think that’s an important message of the film just bc you take one step back doesn’t discount the 20 steps you made forward. Nothing was really uncomfortable because Phil set up such a great atmosphere, where I just felt safe and protected, which allowed me to get deeper and allowed me to get into that dark headspace.”

– Cameron Crosby, Cake Day

It’s incredibly important to have these honest conversations, where the filmmakers can go even deeper into the psyche of the character, to fully form a story that can be so personal. There is definitely a right way to tell these stories and that is what Cake Day does, it just captures this one day and expands upon the internal conflict of its lead character. Every aspect of the film, from the atmosphere to the fantastic score elevated the performances from the actors. It’s an important film that accurately depicts the struggle of being honest, not only with those around you, but with yourself.

Saint Frances Review|How Honesty Impacts Audiences: An Interview With Filmmakers Kelly O’Sullivan and Alex Thompson


By: Amanda Guarragi

Saint Frances is a film that highlights the full female experience in the most honest way possible. It wants to show its audience that women at any age can experience hardships, shame and a certain vulnerability that comes with certain subjects. It dives into the stigma around conversations about abortion, postpartum depression, menstruation and breastfeeding. We see a woman in her early 30s, named Bridget (Kelly O’Sullivan) navigate her new job as a nanny. When looking after little Frances (Ramona Edith-Williams), Bridget faces hardships of her own and has to juggle her new life.

What is so wonderful about Saint Frances is that it doesn’t shy away from topics that would be considered “taboo”, it is right in your face and it felt like an open conversation among women. All films have this sense of community but this film felt like having a conversation with your best friends. O’Sullivan definitely made an impact with the story she wanted to tell,

I felt like I could add something to the landscape of movies that have an abortion in them and sort of treat it with a light touch, a humorous touch, rather than make it really dramatic or traumatic and sort of normalize it.”

Kelly O’Sullivan, Writer and Star of Saint Frances
Courtesy of Easy Open Productions
(Kelly O’Sullivan and Ramona Edith-Williams)

The women in the film had an interesting dynamic, which brought comfort when listening to their conversations. Films that have these tough conversations in a lighthearted way for a new generation is important,

“I do think it’s becoming more and more accepted and young women, teenagers are way more open and accepting, than people my age or older than me. So it’s really exciting to see that there is a bigger conversation starting to happen around those issues.”

-Kelly O’Sullivan, Writer and Star of Saint Frances

O’Sullivan was inspired by the female voices around her and wanted to make a film that would help the conversation. This new surge of young female voices, expressing their personal thoughts and feelings, allows teenagers to grow up with films that have a positive outlook instead of feeling shame.

The dynamic between Bridget and Frances was so interesting because of how they would speak to each other. Frances was speaking at an adult level, even though she was just starting elementary school. She was incredibly smart, perceptive and open to having conversations about womanhood at such a young age. Newcomer Ramona Edith-Williams was a firecracker and commanded each scene she was in,

“We just met her and she brought so much of herself to the room and so directing her was sort of a big mix of just creating an environment where she felt like she could be herself.”

-Alex Thompson, Director of Saint Frances

Thompson loved working with Ramona Edith-Williams and wanted to develop an increased sort of awareness and closeness with O’Sullivan.

Courtesy of Easy Open Productions
(Kelly O’Sullivan and Ramona Edith-Williams)

Even though Bridget was in her 30s, the honesty shared between the two of them, made her reevaluate everything. The bond between Frances and Bridget reminded me of the bond I share with my seven-year-old goddaughter. I speak to her like an adult and I’m probably the only one who actually listens to her. The scene where Frances runs out of her classroom calling after Bridget, during her first day of Grade One completely broke me. Frances hoping to be friends with Bridget forever is something that was so pure, that it brought me to tears. What this scene taught me was that even if you feel like you’re a complete mess, you’re somehow doing something right and there is always someone who believes in you.

Saint Frances is a beautiful film because of the honesty in front of and behind the camera. The dialogue surrounding the stigma of abortion, postpartum depression and other female issues was refreshing. Kelly O’Sullivan wrote such a wonderful screenplay, filled with tender, lighthearted and comforting moments. It is a wonderful addition to female stories that can start healthy conversations about these topics.

After So Many Days: A 365 Day Journey With Musicians Jim Hanft & Samantha Yonack


By: Amanda Guarragi

After So Many Days is a documentary that will take you on tour, with a newly married singer/songwriter duo, Jim Hanft and Samantha Yonack. They decided to embark on a tour, to play one show a day, every day, for a year. It is a concept that not many people have even come close to attempting, but they wanted to see how everything would play out. Jim and Samantha’s love of music, their creativity and determination sent them on a journey that changed them forever.

The film has been an official selection at more than 30 film festivals worldwide and has just been released today, along with a companion album “Songs from After So Many Days”. It is incredibly candid, as they film each other and their experiences, travelling to different cities and performing for everyone. Samantha felt really grateful for this experience and how interacting with their audience has been affected by the pandemic, “At a time where we can’t tour and we can’t physically be there in front of people, we’re hoping that this film can do that in place of us doing that. So it’s kind of touring for us at the moment which is nice.” The film festival circuit has been incredibly rewarding for both Jim and Samantha, they truly appreciated sharing their music and their journey with the world.

Photo Courtesy of Gravitas Ventures

Jim and Samantha travelled to 14 different countries. There were so many beautiful moments and it was lovely to see the reception to their music on a global scale. One moment that popped into Jim’s head, was when they performed at a memory care facility. “We went in there and we learned a couple of songs, some old timey songs, to kind of bring some of that musical spirit in there.” It has been said that people who suffer from Alzheimer’s are able to piece some memories together through music because a memory can be tied to a song, which at some point in their lives evoked an emotion. “Seeing some people who were kind of suffering, hearing the music, light up and start to dance, that was really moving.” Something as simple as playing a song, triggers a memory, and that is what makes music so incredible.

Photo Courtesy of Gravitas Ventures

The beauty of this documentary is that it is a 2-in-1 tour for the audience. Not only do you have a front row seat to their show but the behind the scenes of their day-to-day process. An entire year of travelling, performing and meeting new people, is definitely exciting but it can also be exhausting. It is such a well rounded piece. You really get to know Jim and Samantha so well. Their personalities fill the screen and their passion for their craft is truly inspiring.

After So Many Days is a wonderful documentary because it takes the viewer into a space where creativity and art is a necessity. This film speaks to creative minds and the hearts of determined individuals who want to pursue their dream. Jim and Samantha’s journey will uplift anyone who has been struggling with their process. The power of music demands to be felt in this documentary and it’s a great feeling.

The Jack of All Trades: An Interview with Filmmaker Jack Settipane


By: Amanda Guarragi

Jack Settipane is an actor and filmmaker based in Los Angeles. He has been acting since the age of 4 and has been producing many short films, as well as writing his own. Jack made his first short film at the age of 11 and is constantly looking for new people to work with. He has a large following on Instagram and is very influential on social media platforms.

Settipane is currently on the festival circuit with his short film Tick, which has won a couple of awards this season. Jack shot the film completely by himself and he had control over every take, “It was really unique to not have anyone else on set. There was no pressure, no rush, which allowed me to have complete creative control.” Settipane read a script based on Edgar Allan Poe’s “The Tell-Tale Heart”, reworked it, modernized it and changed the ending for the concept of Tick.

Settipane also got involved working on the film Last Call starring John Malkovich and directed by Steven Bernstein. The film had struggled to find its footing and it did not get finished until 6 years after it was shot. “I shared some out of the box approaches with Steven, which led to him asking me to take the helm as producer. I worked day and night for a year to find solutions the many financial and legal predicaments the film was in and to also find a distributor” Last Call should be released in 2021.

Social media seems to play such a huge part in everyone’s lives and Settipane utilizes his wide reach on each platform to find unique influencers that are also filmmakers. He has worked with many influencers internationally in order to create some wonderful short films. It’s rare to find people who blew up in social media but are really down to Earth people and are phenomenal human beings. Gilbert Sosa, Tavo Betancourt, and Nashua Aguilar stand out as those rare individuals.” Settipane believes that networking through human interaction is much easier than networking over social media.

When asked about his upcoming projects, Settipane is currently working with a 16 year old, named Felix Lavelle from Australia. “He made a short film that we ended up picking up and we are aiming to take it through the festival circuit.” Settipane also has a couple of pilots in the works and is ramping up his acting resume. His first love was acting and he would love to get back into it.