HollyShorts Film Festival Selection: ‘Last Chance Moms’ Review

By: Amanda Guarragi Last Chance Moms is a short film that will warm your heart because of the beautiful display of female friendship on-screen. The one thing that I always gravitate towards when watching films about women or relationships in general is honesty. Director Mandy Fabian, co-writers, Sarah Chaney and Heather Olt all created something so sweet and charming. It has such a nice balance … Continue reading HollyShorts Film Festival Selection: ‘Last Chance Moms’ Review

TIFF ’21: Writer-Director Albert Shin Presents An Overlooked South Korean Narrative In ‘Together’

By: Amanda Guarragi Korean-Canadian Albert Shin’s Together presents a narrative that has been overlooked for some time. The stigma surrounding mental health needs to come to an end, so we, as a society, can help one another. When working on In Her Place, Shin learned about the seriousness of Korea’s suicide rate. South Korea consistently has had the highest suicide rate of any developed country … Continue reading TIFF ’21: Writer-Director Albert Shin Presents An Overlooked South Korean Narrative In ‘Together’

TIFF ’21: ‘You Are Not My Mother’ Review

By: Amanda Guarragi Kate Dolan’s feature debut You Are Not My Mother is an eerie Irish folk horror that will keep you at the edge of your seat. Dolan sets the tone for this film at the very beginning with some supernatural elements that eventually tie into the relationship between mother and daughter. A young teenager named Char (Hazel Doupe) knows something strange happened to … Continue reading TIFF ’21: ‘You Are Not My Mother’ Review

TIFF ’21: ‘The Mad Women’s Ball’ Review

By: Amanda Guarragi Mélanie Laurent’s The Mad Women’s Ball is a harrowing tale of institutional abuse and misogyny in 19th-century France. Eugénie Cléry (Lou de Laâge) is a young woman with a free spirit, an independent mind, and a quick tongue — qualities her father will not tolerate. Eugénie also has spectral encounters that leave her staring into space and gasping for breath. She is … Continue reading TIFF ’21: ‘The Mad Women’s Ball’ Review

TIFF ’21: ‘Spencer’ Review

By: Amanda Guarragi Pablo Larraín’s Spencer is a slice of the Princess of Wales that we have never seen before. As the film begins, Larraín labels it a fable of a tragedy. We have seen many projects where they depict the Royal family in a certain way but we have never gotten a character study on one in particular. It isn’t necessarily slandering the family … Continue reading TIFF ’21: ‘Spencer’ Review