Barb And Star Go To Vista Del Mar Review


By: Amanda Guarragi

Barb and Star Go to Vista Del Mar has Kristen Wiig ‘SNL’ humour written all over it and it’s exactly what the world needs. Remember when we used to get comedies that were just fun for the hell of it? Well this is exactly one of those comedies. It has a far-fetched concept but for some reason it totally works. Lifelong friends Barb (Annie Mumolo) and Star (Kristen Wiig) embark on the adventure of a lifetime when they decide to leave their small Midwestern town for the first time ever! There are two stories that come together in this film that I do not want to spoil because it is completely out of leftfield. Let’s just say Kristen Wiig plays a dual role that is really fun and interesting.

Barb and Star have a really sweet friendship. They have been living together for a while now and are inseparable. They wanted to explore the world and have some fun because they got bored with living the same cycle over and over again. What is so wonderful about Barb and Star is that they are so optimistic and upbeat! If you are a fan of Kristen Wiig’s SNL sketches, the humour is kind of dry and awkward but it will have you laughing at how off-the-wall some scenes are. Their chemistry was great and they created a memorable duo.

The big takeaway from this comedy is that Jamie Dornan was hilarious in this! Wiig had him doing all sorts of wild things and it totally worked. Dornan rolled with the punches and gave a great performance. He had some musical numbers that I was rather impressed with and he had great chemistry with everyone. It was really great to see him so free and lovestruck in this comedy. You’ll see a totally different side of him and I’m really happy Wiig got this performance out of him. The movie is just such a fun ride that has so many twists and turns to carry it to the end.

Barb and Star Go to Vista Del Mar is a comedy that will take you back to the days where these films were made just to have fun. The whole cast is great and it just gets sillier as the movie goes on. The heart of this film is the friendship between Barb and Star. We all need those lifelong friends to always be there for you no matter what. Their relationship is what makes this film so special and there is so much to learn from Barb and Star.

Superintelligence Review


By: Amanda Guarragi

Superintelligence is a Ben Falcone film in every aspect. It stars his wonderful wife, Melissa McCarthy and has a very unique concept that doesn’t quite stick. Carol Peters (Melissa McCarthy), a former corporate executive, has her life turned upside down when she is selected for observation by the world’s first super-intelligence – an A.I. that could possibly take over the world.

The premise does sound like something that could work but for an action comedy, the humour was severely lacking. Perhaps the slapstick comedy does not work for me anymore but I have to address the fact that it has been used with heavier set actors for as long as I can remember. It just doesn’t work for me at all but to each their own because comedy is personal. It just wasn’t funny, you could see the attempts to set up the jokes but they just didn’t land and it was a hard film to sit through because of it.

What was even worse was that they cast James Corden as the voice of the A.I. The film honestly had this obscurity to it that I can’t even explain, it just felt off from the second it started and then it just went on without any substance. It’s upsetting to watch a comedy and not laugh at all and I love Melissa McCarthy. There are moments where it does get better but then it falls apart again. What was the most frustrating was that Bobby Cannavale and Brian Tyree Henry (who have great comedic timing) were wasted in this film.

Superintelligence has a strong premise and a message about technological advancements eventually becoming a dangerous problem in our lives but the execution was lacking. For an action comedy to lack proper form in a joke set up is very telling about the experience you will have while watching this. Again, comedy is personal but this was the first miss for HBO Max.

Palm Springs Review


By: Amanda Guarragi 

Palm Springs had its world premiere at Sundance earlier this year and it instantly created buzz in the film community. It is directed by Max Barbakow, written by Andy Siara and it is a Lonely Island Classic picture. The film brings together two characters, Nyles (Andy Samberg) and Sarah (Cristin Milioti) who have questioned their own existence and the decisions they have made. When they meet at Sarah’s sister, Tala’s (Camila Mendes) wedding, the night takes them on an interesting journey, which leads them to a cave and changes everything.

The film is unique to the time loop subgenre that has developed over the years. It has a refreshing structure and the editing is a huge part of it. The reason why this film is different to the genre is because there are more people involved in the time loop storyline. As we have seen in the past, majority of the time, it is only one character processing the idea of reliving the same day, over and over again. In this comedy, it has Nyles informing Sarah, how to approach the time loop in very humorous ways. There is a nice surprise with the addition of Roy (J.K. Simmons) to add an origin story for Nyles and his time loop journey.

It has a nice mixture of comedic moments and realistic discussions about life, which I really appreciated. The perception of loneliness, is always something that should be explored and how life can sometimes seem meaningless, if you do not have someone to share it with. That is why placing the central event, as a wedding day, in this film was extremely beneficial because of the weight it holds on everyone’s lives. It is very well crafted because they address so many different ideas of love and relationships.

Andy Samberg and Cristin Milioti had excellent chemistry and solid comedic timing. They bounced off of each other extremely well and you could feel the freedom they had with these roles. The pacing was really strong because of how the story builds. Instead of just reliving the same day, in the same location, Barbakow and Siara explored different moments in the day and had them react differently to new information. The way they slowly revealed different aspects of their lives, was really well done and continuously surprised me.

Palm Springs adds so much depth to the time loop subgenre and it is a wonderful edition to The Lonely Island production library. It is probably one of the most charming films I have seen in a while and it will capture your heart. It is also constructed to always keep you on your toes because even though you are stuck in a time loop, life still comes at you fast and you have to adapt to every situation in the best way you can.

Eurovision Song Contest: The Story of Fire Saga Review


By: Amanda Guarragi 

Eurovision Song Contest: The Story of Fire Saga is a fun Netflix Original Film, that takes Lars Erickssong (Will Ferrell) and Sigrit Ericksdottir (Rachel McAdams) on a musical journey, to the iconic Eurovision stage, in order for them to achieve their goals. The film captures the essence of Eurovision perfectly and shows the world united through music. Director David Dobkin, does some great work in this film with his musical numbers and song choices throughout. It is a typical Will Ferrell movie and that should be taken into consideration, before anyone watches it.

It starts out as a dream for young Lars, who hears ABBA on television for the first time ever and starts dancing in his living room in front of his family. He is so overjoyed by their music because of their Icelandic heritage, finally being represented on screen, at the Eurovision main stage. His family laughs at him and his dream but Lars stops at nothing to get what he wants. Lars and Sigrit have been together since they were kids and have been singing as a duo, named ‘Fire Saga’ for a very long time. Lars, as a middle aged man, finally thinks he has the perfect song to enter for Eurovision and Sigrit joins him on this crazy journey.

It is a simple story about a small town dreamer, making his way to the big stage, with some magical elves helping him along the way. It was pretty humorous to see Sigrit bringing goodies, to the magical elves and hoping they bring them luck for Eurovision. With the magical elves being a prominent spirit in this film, they conveniently placed disastrous events so Lars and Sigrit could advance in their journey. Yes, this movie is very unrealistic but it is so much fun and the humour definitely distracts you from impossible situations.

The entire cast is really strong and the chemistry between Lars and Sigrit was great! There were many surprises with the performances, especially Dan Stevens as Alexander Lemtov, who was the Russian singer in the competition. He was just so electric in this role and I don’t think he has ever been better. Rachel McAdams was also really strong in this and was stunning as per usual. Will Ferrell was being Will Ferrell, I missed seeing him in this kind of role because that’s where he truly shines. If you do not like his humour, then this movie isn’t for you.

Eurovision Song Contest: The Story of Fire Saga has its comedic moments and will keep you intrigued because Eurovision is that exciting. There is plenty of drama, great song medley’s that will surprise you and a couple of cameo’s, that will make you do the Rick Dalton, pointing at the screen meme. The costume design was probably one of my favourite aspects about this as well because each country had their own design. It is vibrant, energetic, funny and what Eurovision is all about, bringing people together through music.

The King of Staten Island Review


By: Amanda Guarragi 

The King of Staten Island is Judd Apatow’s most personal film to date. He collaborated with Pete Davidson and Dave Sirus to bring Pete’s deeply emotional life to the screen. It was candid, realistic and raw to Pete’s journey. It was in typical Apatow fashion, to have such a natural flow to this story. They addressed mental illness and childhood trauma with humorous moments. In his mid -20s Scott (Pete Davidson) is at a standstill in his life, he dropped out of high school and his younger sister Claire (Maude Apatow) is heading out to college. As the events in his life unfold, Scott must come to terms with his father’s death and processes his grief in many ways.

For seventeen years Scott has lived without his father and the only memories he has of him, are the ones his mother, Margie (Marisa Tomei) shares with him over and over again. In Davidson’s life, his father was a firefighter for the FDNY. He was seen as a hero by many because of his bravery in saving someone’s life, as a building collapsed on top of him. Most of Davidson’s dark humour stems from his childhood trauma and his stand up is vulgar and borderline offensive. At the end of the day, that is what makes Pete, Pete. His humour may offend people but it is okay for him to make fun of his own trauma because it comes from such a personal place.

If you have been a fan of Judd Apatow’s since the beginning of his career, you know the way he makes his films. They are personal, witty and very well written. He always attempts to make real situations seem funny, even if it stems from a dark place. The reason why his films have so much heart and resonate with so many, is because he isn’t afraid to show his audience the reality of situations. He wants to say that these characters are real, concrete people, with a twisted sense of humour that exist in the real world.

To those who have followed Pete Davidson from his early stages on Saturday Night Live and appreciated his humour (even though sometimes he crossed the line), you will appreciate this film. I think everyone will learn something about Davidson through watching this film. You may dislike him a bit more, or even start to like him, it is all up to interpretation. This film highlights mental illness  and it’s through the eyes of Pete Davidson, who has truly suffered from it. To see the psychology of Scott, through the eyes of Davidson, is something raw and eye opening. It is a story that only Pete Davidson could tell and it is really special.

The film does drag on a little bit but the third act is really important to Scott’s arc. As his sister goes off to college, his mother begins dating again and Ray Bishop (Bill Burr) also works at the fire department. In the midst of all this, Scott is causing his own damage with his friends and when he finds out about his mother dating a fireman, he goes into a downward spiral and attempts to break them up. We find that Scott does not really know how to express his emotions and sometimes he lets it out through impulsive, violent behaviour, or everyone’s favourite mechanism, sarcasm.

After a huge blowout between Ray, Margie and Scott, they all go their separate ways. That’s why the third act is really special. It brings them all together in a very unexpected way. Scott begins to understand the life of a fireman and he experiences it firsthand. It was very cathartic for Davidson and the REAL stories shared of his father, were important, not only for Scott’s character arc in the film, but for Davidson to maybe get some closure. It was an emotional ending and Davidson gave a wonderful performance.

The King of Staten Island is not for everyone. The only way to appreciate this film, is if you are fans of both, Apatow and Davidson. To newcomers, they may not understand the sentimental value this holds for Davidson and why this was so important for him to make. It was also pretty funny, a lot of Davidson’s humour is things he would say under his breath and being able to catch what he says, in this film was great. It’s a long watch but it is definitely worth it to see the heart of Pete Davidson.