^{By: Amanda Guarragi}

Women have shared so many similar experiences with each other for many years and there have been films that have truly captured the female experience. The short film Twist, written and directed by Aly Migliori, analyzes the loss of innocence in this coming of age thriller. It takes the female experience and tells a universal story that women know a little too well. Migliori gives a fresh take and elevates the experience through the use of colours, lighting, minimal dialogue and the score.

Migliori wanted to put these character in a space and in this heightened period all in one night, “I wanted to show the consequences, the learning, the growth and kind of feeling the loss of innocence without any kind of explicit blame or anything. It’s a pretty impactful moment for her, it’s pretty innocuous for the others.” The film takes place at night as a teenager named Hannah (Helena Howard), finishes work at her local ice cream parlour and she walks home alone at night. A car, with three boys pulls up right beside her and they convince her to get in, so they can drive her home.

She takes this universal story, this universal experience and makes a great thriller while addressing a young girls first encounter with the dangers of being a woman. Naming the film Twist was extremely clever because it’s an entendre. Migliori played with the idea of the expectations of the title, both literally and how everything unfolded at the ice cream parlour. She goes on to say that, “The ice cream parlour, this very Americana ice cream parlour has connotations with American nostalgia, American childhood and kind of American censorship. I think this story is kind of resisting that mythology, while playing with it.” That is why the ice cream parlour as the centerpiece of the film worked so well. It felt like a wholesome location because of the nostalgia tied to everyone’s childhood and then Migliori turned it into a place that has scarred its lead character.

What was most impressive was how the score elevated the moment Hannah realized what was happening and how this moment would affect her for the rest of her life. All women remember the one moment where everything changed, when their perception of the world, of boys, changed. The score had this teenage pop angst as Migliori described with a sinister undertone that completely worked with Howard’s performance. The connection was so raw and it forces the viewer to remember that specific moment in their own lives.

What really tied everything together was the cinematography and the use of lighting. The choice to light up the ice cream parlour and make that the standout while keeping everything else around the parlour in darkness worked very well. There were bright reds used at the beginning of the film and then as the film got deeper into the story, it got darker, “The red takes on a much darker meaning later on, as the story progresses we’re still using the same colour palette, we’re just shifting it darker and she’s kind of growing up and losing her rose coloured glasses on all of the elements of the female experience.” Watching Hannah go through that experience and having all of these elements change with her made a huge impact.

Twist is a short film that offers so much in such a short period of time. It dives into the female experience and leaves you questioning the moments in your own life. All women have a similar story and no, that is not an exaggeration. Aly Migliori delivers on all fronts and her biggest aspirational takeaway is that hopefully some people find a certain parallelism in their own experiences and feel heard, while also truly enjoying this story.