In France Michelle Is A Man’s Name Short Film Review


By: Amanda Guarragi

In France Michelle Is A Man’s Name is about a young trans man, named Michael (Ari Damasco), who returns home to the rural American West after being away from his family for years. After a very awkward dinner, Michael joins his dad for a drive for some bonding but things go sour very quickly. This short film is very difficult to sit through because of how painful it is. For a trans man to experience something like this, at the the hand of his father made this extremely emotional.

Director Em Weinstein subtly takes the viewer on a journey of what it means to be Michael. There are small moments that make you realize how Michael is feeling and how people around him affect his view on the world. There is so much that is shown to the viewer, it almost works as a silent film in a way. There are such tender, emotional moments that cut through your heart because of how traumatic they are. No one realizes how certain moments in one’s life can affect them in the long run.

We can all recall a moment that affected us deeply that we still think about until this day. We play it again and again in our head, dissecting what that moment truly was and it’s heartbreaking. What Michael faced was emotionally damaging and you could see the mixture of emotions on his face. There was so much he wanted to say and he so badly wanted to stop what was happening. These moments, where you freeze and just accept what’s happening to you are the moments that shape who you are.

In France Michelle Is A Man’s Name is an emotional journey through the eyes of a young trans boy and it will leave you heartbroken. It is a difficult but necessary watch, as Em Weinstein shows so much honesty in this short film. It shows the fabricated ideal of masculinity through fatherhood and the assumptions made because of gender conformity. It’s a film that will stay with you after you’ve watched it. It’s hard to process any form of trauma but seeing it through a difference lens can help so many people.

Happiest Season Review


By: Amanda Guarragi

‘Tis the season to get your onesies out, drink some hot chocolate, and settle around your nearest screen to watch some Christmas movies. Thankfully Clea DuVall made a Christmas romcom that has been long overdue for the LGBTQ community.

Happiest Season is the film that all lesbians have been waiting for. It’s lighthearted, funny and a well rounded romantic comedy. For once there is no sadness, no yearning and no heartbreaking ending. The title of the film says it all and it is such a beautiful movie. Not only does it speak to, and on behalf of, the LGBTQ community but it touches upon family issues that are universal.

The reason why this film is refreshing is because lesbian characters are at the forefront. Two women are in a romantic relationship and they are following all the conventions of a typical romantic comedy. It was just great to see a romantic story about two women in this setting. It is definitely a feel good movie and the speeches in the final act of the film will leave you sobbing until the end. The cast is perfect, everyone fit like a puzzle piece in telling this great story.

Kristen Stewart and Mackenzie Davis were adorable together and their chemistry was great. It felt completely natural and that is the difference. Kristen Stewart was in her element, she was fun, playful and gave a very emotional performance as Abby. Davis gave a complex performance because of the duality of her character Harper. She lived one life with Abby and was another person when she returned home to her parents. What really resonated with me was the idea of perfection and how some families expect so much from their daughters.

I do have to mention the brilliant comedic timing from Dan Levy because it was just effortless. There would be such tense moments and then Levy would just swoop in and make you bust a gut laughing. He was the perfect choice to play Abby’s best friend. Stewart and Levy also bounced off each other, even through serious moments.

Normally, I don’t compare films in my reviews but out of all the lesbian romance dramas we’ve seen, this one definitely felt the most realistic than the others, mind you the other ones were really sad, so maybe that’s the difference? Thanks to Clea DuVall and Mary Holland, they wrote such a great screenplay and brought forth many important conversations.

Happiest Season is a great Christmas rom-com that will hold a special place in your heart and will definitely be added to your annual Holiday watch list. It is a film that explores individuality and acceptance through a lens that the LGBTQ community deserves. Please make sure to watch Happiest Season on Hulu November 25th and it will be available on iTunes November 26th!


Pictures Courtesy of E1 Entertainment

I’m Thinking Of Ending Things Review


By: Amanda Guarragi

Charlie Kaufman’s long awaited Netflix Original Film is very unconventional and bold, but the screenplay suffers from over explaining the philosophy of life. What starts out as a young woman, questioning her relationship, ends up being a convoluted study on ageism and life itself. I’m Thinking Of Ending Things has a very intriguing first half and then it somehow falls apart, as it spirals into an ending that doesn’t quite suit what came before it.

At first, Kaufman explores the layers of what it means to be in a relationship, or rather, how to get out of one that didn’t feel quite right. The Young Woman, played by Jessie Buckley, has this internal monologue that highlights what is wrong in her relationship by doing a voiceover, while her boyfriend Jake, played by Jesse Plemons, is talking to her. They both gave solid, individual performances but the script is what caused this to be so confusing and sometimes uncomfortable.

It just felt really messy and oversaturated with philosophical symbolism, by the end it seemed like Kaufman got lost in what he was trying to convey as well. The tonal shifts throughout the film were very abrupt, which put a damper on trying to make any thematic connections whatsoever. Every time I thought I understood what Kaufman was trying to say, he took it to an entirely different place leaving me confused with what was happening in The Young Woman’s mind.

As they both travel to the outskirts of farm country to have a formal family dinner, to meet Jake’s parents, The Young Woman becomes more cynical and she is now scared of her future.

“Humans can’t live in the present, so they invented hope.”

The Young Woman (Jessie Buckley) ‘I’m Thinking of Ending Things”

In a way, the home of Jake’s parents became the layers of The Young Woman’s mind, as she assessed the lives of his father (David Thewlis) and mother (Toni Collette). There are so many ways to study the psychology of these characters because The Young Woman feels stuck and envisions her future with her in laws.

I’m Thinking Of Ending Things is a mixture of an existential crisis, relationship issues and family dysfunction, that loses all meaning in the 3rd act. It becomes unbearable to listen to The Young Woman ramble on about life without actually making any points. It’s almost as if Kaufman is trying to recreate his previous work to continue his ongoing theme of heartbreaking relationships that address mental illnesses. This one just falls through entirely because he tried to do too much with it.

Project Power Review


By: Amanda Guarragi 

Project Power is a jam packed, action film, that explores having unique, superhuman abilities by taking a yellow pill. The powers last for a total of 5 minutes and each pill carries a different power. The streets of New Orleans is crawling with these unpredictable yellow pills, young teenage Robin (Dominique Fishback) and Frank (Joseph Gordon-Levitt), a local cop must team up with ex-soldier, Art (Jamie Foxx) to dismantle the group who created the pill. The film, co-directed by Henry Joost and Ariel Schulman is a generic action film, with an interesting story written by Mattson Tomlin.

The concept of this film will remind audiences of the mutant powers in the X-Men, but it is able to change up the superhuman abilities a bit more because of how unpredictable the pill can be. Within 5 minutes of taking the yellow pill, it can affect everyone differently, it could cause death, or they could suffer serious ailments after taking it. It is symbolic for holding power in your hand, whether it is good or bad and it could affect your life within those 5 minutes. Tomlin’s script is really well thought out but the execution is what was lacking for this film.

The cast give great performances and they really carried the film until the very end. Dominique Fishback, Jamie Foxx and Joseph Gordon-Levitt all had great chemistry with each other and had very strong backstories that came together nicely. The connection between Robin and Art was interesting because she reminded him of his daughter and the flashbacks to show how he lost her flowed nicely in those scenes they shared. Joseph Gordon-Levitt as the undercover cop was such great casting, he was so good in his role and it’s always great to see him in an action film.

The story was really detailed and the information about how the yellow power pill came to fruition, unfolded nicely as the film went on. The issue with the film was the pacing, special effects and the execution of certain actions sequences. The editing was messy to the point where it was hard to understand who was fighting on screen. The different superhuman abilities were also confusing because they never explained how or why each pill was different.

Project Power has strong writing and performances but lacks in executing action scenes that work with the concept. The special effects were pretty mediocre but the ideas that were put in place for these superhuman abilities were commendable. It has the typical action film clichés, some questionable moments regarding political commentary and some choices that will surprise you. It is another original concept from Netflix and that is the important thing because we have to support original films.

An American Pickle Review


By: Amanda Guarragi

An American Pickle is based on the short story named ‘Sell Out’ written by Simon Rich, which was published in the ‘New York Times’. It begins as an immigrant story, as pickle factory worker, Herschel Greenbaum (Seth Rogen) retells his journey to New York City. It is a heartfelt tale, about generational differences and how traditional values are interpreted in the current social climate. Brandon Trost’s directorial debut is a lot of fun, very stylized and wholesome.

The social commentary and the political correctness mixed with old ideologies, set up for a very humorous and entertaining film. It was also important to show Herschel’s journey, as a Jewish man, who was so connected to his faith and his family. It seemed as the film went on and he met Ben Greenbaum (Seth Rogen), the link to those family values were broken. Herschel and Ben learned a lot from each other, even though they were 100 years apart.

The dual role that is played by Seth Rogen is really well done. There was a lot of though that went into these characters and their backstories. The film was at its strongest when they were together and playing off each other. It is one of Seth Rogen’s best performances because of how distinct he made both characters. He kept the accent for Herschel throughout and his mannerisms were even very traditional. It was a far fetched concept but the connectivity between Herschel and Ben was the heart of this piece.

The social commentary is really effective because they presented a fight with outdated ideologies. Herschel ended up being praised for his freedom of speech, which is something we see a lot of with this generation, even if they are completely absurd. The way Simon Rich presented the current climate with Herschel at the forefront, attempting to attain the American Dream in a different era, was refreshing. It also expressed the different perceptions of family values in two vastly different lifestyles.

An American Pickle is such a sweet film about family, hard work and heritage. It was funny, informative and definitely educational. To see both era’s come together and clearly understand how much has changed in 100 years was important. It seems as if people have lost certain values and this film presents them in a new way. The most wonderful thing about this film was the way it presented the human connection, in all its messiness and its unity. Seth Rogen never misses and he continues to make great content.