Eurovision Song Contest: The Story of Fire Saga Review


By: Amanda Guarragi 

Eurovision Song Contest: The Story of Fire Saga is a fun Netflix Original Film, that takes Lars Erickssong (Will Ferrell) and Sigrit Ericksdottir (Rachel McAdams) on a musical journey, to the iconic Eurovision stage, in order for them to achieve their goals. The film captures the essence of Eurovision perfectly and shows the world united through music. Director David Dobkin, does some great work in this film with his musical numbers and song choices throughout. It is a typical Will Ferrell movie and that should be taken into consideration, before anyone watches it.

It starts out as a dream for young Lars, who hears ABBA on television for the first time ever and starts dancing in his living room in front of his family. He is so overjoyed by their music because of their Icelandic heritage, finally being represented on screen, at the Eurovision main stage. His family laughs at him and his dream but Lars stops at nothing to get what he wants. Lars and Sigrit have been together since they were kids and have been singing as a duo, named ‘Fire Saga’ for a very long time. Lars, as a middle aged man, finally thinks he has the perfect song to enter for Eurovision and Sigrit joins him on this crazy journey.

It is a simple story about a small town dreamer, making his way to the big stage, with some magical elves helping him along the way. It was pretty humorous to see Sigrit bringing goodies, to the magical elves and hoping they bring them luck for Eurovision. With the magical elves being a prominent spirit in this film, they conveniently placed disastrous events so Lars and Sigrit could advance in their journey. Yes, this movie is very unrealistic but it is so much fun and the humour definitely distracts you from impossible situations.

The entire cast is really strong and the chemistry between Lars and Sigrit was great! There were many surprises with the performances, especially Dan Stevens as Alexander Lemtov, who was the Russian singer in the competition. He was just so electric in this role and I don’t think he has ever been better. Rachel McAdams was also really strong in this and was stunning as per usual. Will Ferrell was being Will Ferrell, I missed seeing him in this kind of role because that’s where he truly shines. If you do not like his humour, then this movie isn’t for you.

Eurovision Song Contest: The Story of Fire Saga has its comedic moments and will keep you intrigued because Eurovision is that exciting. There is plenty of drama, great song medley’s that will surprise you and a couple of cameo’s, that will make you do the Rick Dalton, pointing at the screen meme. The costume design was probably one of my favourite aspects about this as well because each country had their own design. It is vibrant, energetic, funny and what Eurovision is all about, bringing people together through music.

Revival Review


By: Amanda Guarragi 

Revival directed by Danny Green, is a mixture of every performance medium: a Broadway musical, Hollywood musical, animation, green screen technology, and sound stage. It is one of the most interesting and inventive films that has been released recently. Not only does it cover the spectrum of all art forms but it presents Catholicism in a different way. The story of Jesus is told in a humanistic way, with a wonderful book of songs to accompany it.

The way that it began as a stage play, with an introduction from Harry Lennix, who plays Pilate in the show and then slowly began to cycle through different performance spaces was really unique. There were moments of the film being on location in the mountains, or they made the choice to use a green screen for certain scenes. The special effects were quite good as well. It did seem overindulgent but it is probably because, there has never been a film that has tackled this many forms at once.

This cast was also really strong as well. There were many surprises but seeing Michelle Williams and Chaka Khan in the same film was awesome. The music was what held this film together and enhanced the story as it went on. The entire company did a great job with this passion play, both on the stage and on location. The costume design was strong as well because the vibrant colours made it visually stunning. The conversations about Jesus being a man first and a prophet second, were really thought provoking and challenged the ideology.

Revival is an innovative feature and I commend the film for being so bold. It crossed so many artistic mediums to present a story that we know, in a different way. The music will carry you through this journey and it will keep you locked in to the very end. It is a very refreshing film and they presented the story of Jesus in a more realistic way.

 

Case 347 Review


By: Amanda Guarragi 

Case 347 written and directed by Chris Wax, follows psychologist and UFO skeptic, Dr. Mia Jansen (Maya Stojan), and a team of documentary filmmakers who believe that alien abduction claims are forms of “mass hysteria”. The film uses found footage to tell its story, while integrating the live reactions of those filming and narrating the situation. On their journey they make some shocking discoveries and end up in a nightmare.

The film has pretty strong moments that peak your interest. The  different camera angles from the found footage, combined with security footage and night vision lenses, were used effectively to create a dark, sinister atmosphere. However, the film felt episodic and did not really flow from scene to scene that well. There would be an encounter and then dead air right after, it almost felt like we were waiting for something else to happen, rather than just being in the moment with the characters.

The film just seemed very mediocre and could have been a research paper, instead of a film. For a film that is relies so heavily on the footage they found, they don’t really make any of it plausible because of how mediocre it looked. For some reason it just did not feel believable. It just seemed messy and the performances were lacking any emotional depth. It emulated films that have dealt with paranormal activity and made it uninteresting.

Case 347 starts off strong and then loses its audience when it becomes over exaggerated. The found footage is not enough to make this film interesting and that is why it is difficult to sit through. It seemed very fake and majority of the scares were just used for shock value and it did not really make sense in relation to the the alien storyline. It had the potential to be a solid horror film but the performances were not strong enough to carry this through.

Oscars Postponed to April 2021


By: Amanda Guarragi 

Since the beginning of this pandemic, the Entertainment Industry has been in constant motion and have been changing dates, for majority of the films slated for 2020. Earlier today, the Television Academy announced, that the ‘Creative Arts Emmys’ will go virtual, the annual Governor’s Balls that follow those shows and the Primetime Emmys will be canceled for the first time in history. Since the Emmys and the Oscars telecasts are both on ABC, negotiations had to be made for the Academy Awards as well.

The Academy tweeted out an information card with the changed date for the Oscars telecast, as well as a change in the eligibility dates for films that could meet the standard guidelines.

Screen Shot 2020-06-15 at 5.01.00 PM

courtesy of @TheAcademy on Twitter

 

First on the list of ‘Key 93rd Oscars Dates’ is the Awards Eligibility. So from January 1st, 2020 – February 28th, 2021 films released during that period, will have a fair opportunity to possibly get a nomination. Seems fair right? Well, extending the eligibility date, means that the films that came out earlier this year such as, The Invisible Man, Emma, The Way Back, The High Note, Capone and Da 5 Bloods will have a more difficult time campaigning because of their release date. The cut off is around November 20th, so films that are released past that date, would normally, never make the cut. So The Academy, is tacking on 3 extra months of content in that time frame.

Second on the list is the Shortlist Announcement on February 9th, 2021. This means that there will be a very long list of possible nominees, that will be condensed in to each category, eventually becoming official nominees. This also means that the campaigning will be very different for the rest of the year. Films that came out earlier this year, should not be forgotten and the hype for each of those films, needs to be mentioned, time and time again, closer to that date. The films that I listed above, by the time next year comes, will definitely be considered a long shot because now all the postponed films have been crammed into those months.

Third on the list is the Nominations Announcement on March 15th, 2021. Every year, the Oscar Nominations day is filled with plenty of snubs and actors nominated in the wrong category. It is always a messy day because films that should have been recognized, usually don’t make the cut and they are almost always, independent films (Honey Boy and Uncut Gems)  that fly under the radar. This day is going to be much different than previous years because of the extension and the bias towards films that were released on streaming platforms or VOD.

Fourth on the list is the Oscar Sunday telecast, now being held on April 25th, 2021. This is a massive jump from the regular February/March timeslot. It is so deep in the year, that it may cause issues for other award ceremonies that come before it. What does this mean for the Critics Choice Awards, Golden Globe Awards and the SAG Awards? How do they fit into the calendar that well all know so well? The BAFTAs have already changed their date to April 11th, 2021 but the rest of the pre-Oscars telecasts have not released a statement.

Lastly, the long awaited Academy Museum will officially open on April 30th, 2021. When it opens, the Museum will be the premier institution dedicated to the arts and science of movies. The Academy Museum will offer exhibitions and programs highlighting the world of cinema. They will also present year round calendar of screenings, film series, members programs, panel discussions and family programs. Programs will include retrospectives and thematic series that present the artistic and cultural contributions from filmmakers all over the world.

Many of us have already made a shortlist of the best films that could possibly be nominated, for Oscars in 2021. There are definitely more films to add but in this article How The 2021 Oscars Will Look, If It Doesn’t Get Postponed, I go into detail and breakdown the possible nominations list for the films that are eligible. There are plenty more films to watch, so it is time to start writing down the list of possible Oscar contenders because it is going to be a very long season.

Artemis Fowl Review


By: Amanda Guarragi 

Artemis Fowl is the title of a book series written by Eoin Colfer. This film adaptation has been completely altered to make it kid friendly. The book series was initially intended for children. There is nothing good to say about this film because it was difficult to understand the second it started. The special effects were terrible, script was very messy and the editing, was not fluid enough to make a cohesive narrative. The worst part, is that this film had so much potential to be great, it is not right to change the source material to the point of the story being unrecognizable.

The film is an Irish tale, filled with lore and mythical creatures that were never fully explained. Majority of the time it was hard to understand what was happening in the film, or even care, where the story was going because of how overstuffed it was. Artemis (Ferdia Shaw) used to believe in all this lore that his father, Artemis Fowl Sr. (Colin Farrell) instilled in him at a very young age. Once his father is captured by an unknown villain (because they’re probably planning for a sequel), Artemis must decode his father’s journal of these fantasy creatures. Pretty straightforward, right? Well, the script would say otherwise.

The entire film seemed rushed, the pacing was all terrible and scenes were cut short for some strange reason. Everything that was shared between characters, ended abruptly and nothing was added to the story. The fight scenes were poorly executed and it seemed that there was no clear direction for this film whatsoever. It is also extremely frustrating seeing actors like Colin Farrell and Judi Dench waste their talents on a film like this. Yes, it’s a children’s movie, but what happens when children, do not even want to sit through a film like this?

This is why changing source material, to make it more kid friendly, for their brand is very problematic. The story was perfectly fine the way it was. It blurred the lines between good and evil. This has been a theme used for a very long time and it is evident in other Disney films. This film had so much potential and it was wasted because they did not want to dive deeper into the mind of a 12 year old criminal mastermind. If the books were so well received, then why change it now? It is very hard to understand the logic behind the change.

Artemis Fowl is a film that has mediocre production value and a convoluted story. It is a messy, special effects ridden Disney channel movie that should have stuck to the source material. I am very disappointed in the way they handled this film and the cast deserved better than what they had to work with. The worst aspect is walking away from a completed project and knowing it could have been better.