White Lie Review


By: Amanda Guarragi

White Lie co-written and directed by Yonah Lewis and Calvin Thomas, dive into a character study of undergrad student Katie Arneson (Kacey Rohl) who has been faking her cancer diagnosis, in order to pool money for her own benefit. It is a dark film that spirals into the depths of the lies and the consequences that come from it. The most interesting takeaway is that young Katie doesn’t stop herself and sikes herself out, as she continues to tangle this web of deceit.

First and foremost, the lie itself is pretty unsettling to watch unfold, as it snowballs into something so uncontrollable and bigger than Katie. Secondly, Rohl’s complex and nuanced performance makes this character study so intricate. It allows the viewer to feel uncomfortable with her decision, without fully knowing if she is telling the truth because she is so convincing. It is also the persona that she puts on in front of different people such as, her significant other, her father, the doctors and her peers. She used everyone around her for her own advantage as she was telling this lie.

Courtesy of Rock Salt Releasing

At first you are definitely turned off by the idea that someone could lie about having cancer in order to fund her own goals. Then you really think about what she did and you question, if she is the only one to think of something likes this. Especially considering the world with live in and the desperation that comes with surviving in this economy. Halfway through the film, you have accepted that she is going through this lie, full force and you are interested in seeing how far she is willing to go. This film is a rollercoaster of emotions because of the many complications Katie faces.

White Lie is an interesting character piece and will have you question if there are people out there who would actually do this. Rohl gave a great performance and she brought forth an entire emotional spectrum when handling the lies. The story structure, camerawork and score all bring this film together to create a character that is so chaotic, which makes this film incredibly thought-provoking until the very end.

Ammonite Review


By: Amanda Guarragi

Ammonite is a romantic love story, loosely inspired by the life of British paleontologist Mary Anning (Kate Winslet). Mary owns her own shop, where she sells fossils to rich tourists. Mary first meets her potential love interest, when a tourist and his wife, Charlotte Murchison (Saoirse Ronan) stumble upon a piece of ammonite in her shop. Francis Lee was able to capture the subtleties and beauty of a budding romance but something was missing.

The film is slow and patient. Patient in uncovering the details in the fossils. Patient in processing Mary’s interest in women. Patient in soft touches and stolen glances. All of that was done properly in order to build tension, to anticipate the moment Mary and Charlotte melt into each other, but the film as a whole is dull. Even though Winslet and Ronan gave nuanced performances, it seemed to be their weakest entry in their filmographies.

photograph by Agatha A. Nitecka/RÅN studio
(left) Saiorse Ronan and Kate Winslet

The only time you would feel their love for each other was when they were sexually engaged. Yes, there was plenty of yearning and smiles exchanged with each other, but the chemistry was lacking in that department. It is also very evident, that a man is behind the camera, when filming those intimate, sex scenes and it felt awkward to watch. There was no passion, no love, no lust, all of that was lost in the act of it.

Ammonite is another entry in the sad lesbian romance category, that we seem to have generated over the years. The film had great potential to be something more than it was because of the starpower but it didn’t quite get there. Francis Lee wrote a very simple story that brought these two women together, to experience something beautiful and then it just exits your mind, the second you finish the film.

Sweet Taste of Souls Review


By: Amanda Guarragi

Sweet Taste of Souls has a really unique concept that flips the moving picture frame trope on its head. When four struggling band members stop at a small roadside cafe for a slice of cherry pie, they find themselves imprisoned in the owner’s framed art collection. The film was intriguing from the very beginning and had refreshing moments for the supernatural subgenre in Horror.

Ms. Ellinore (Honey Loren) was heartbroken and defeated when her husband left her. She harnessed these supernatural powers to create a picture perfect life within her art collection, a life that she could never have. The film dives into the psychology of trauma and abuse, while adding a supernatural element to it. It is one of the most refreshing concepts because of how this complex, emotional story ties in with a trope we’ve never fully explored on screen.

Courtesy of Dark Coast Entertainment

The most impressive aspect of the film was the special effects and how they were used in certain scenes. There was a whole process in taking the souls of the characters and transferring into the frame, which was really interesting. It also felt really claustrophobic at times (which was a horrible feeling for me) which worked extremely well for the suspense of being locked inside of a frame.

Sweet Taste of Souls had great special effects, a really complex psychological story and sound design that elevated the story. It had great use of colour, especially the colour red, to pop against a faded background and make you remember that Ms. Ellinore was around the corner. It’s a very fun, original horror film, with a deep psychological exploration of trauma.

Camp Twilight Review


By: Amanda Guarragi

Camp Twilight is a fun mixture of classic slasher films that had its very own twist ending. It’s definitely campy, over-exaggerated, borderline cringey but it works. After realizing their about to fail senior year, 6 high school students agree to a weekend camping trip for extra credit. Lead by Ms. Bloom (Felissa Rose) and Mr. Warner (Barry Jay Minoff), they quickly find out the horrid past of the campsite.

The film felt like a cross between Scream and Friday the 13th, it even had character names like Sidney and the last name of a character named Loomis. It felt like a nice homage to slasher films, especially these classics. It’s filled with similar tropes and a ton of overacting at times, but for some reason it worked. A slasher film that has you yelling at the screen over the stupid decisions campers make, is definitely fun to sit through.

Courtesy of DarkCoast Entertainment

Its writers Brandon Amolette and Felissa Rose really went back to the roots of slasher films. It had a very simple structure with generic characters, that we really wouldn’t mind losing, once the killer went on the murder spree. They also incorporated cops, who don’t really know what they’re doing, which made for really funny moments. Like every slasher film, the kills have to be great and there were plenty of suspenseful moments.

Camp Twilight is as campy as it gets. It is a lot of fun, definitely surprising at times and it has a wicked ending. The score that accompanies the campers, on their disturbing weekend, really tied everything together. It is a lot to take in because there is so much happening but it’s such a fun ride for the genre. As long as you’re yelling at these campers, telling them not to do the inevitable, it is definitely entertaining.

By Night’s End Review


By: Amanda Guarragi

By Night’s End is a crime thriller, centered around a husband and wife, who are struggling financially after suffering a death in the family. The tension between them, unfolds in an unprecedented way, as they discuss their issues, all while trying to survive an unexpected evening. The film slowly builds into the final action sequence and it is definitely worth it.

Director Walker Whited created an atmosphere surrounding the house that Heather (Michelle Rose) and Mark (Kurt Yeu) lived in. From the front, the house appeared smaller, quaint, isolated but the backyard was vast and seemed like it went on forever. The sense of impending doom seemed to grow, as Heather’s mood became worse and the night took a turn for the worst.

Courtesy of 3rd Shift Media and Wild Winn Pictures
Michelle Rose as Heather

What was very interesting was the dynamic between Heather and Mark. It’s almost as if they should not mesh well together as a couple because they are polar opposites, yet their relationship also worked. You could feel their resentment towards each other when they were arguing but then Mark’s softness, would break Heather’s tough exterior. It was great to watch their relationship unfold and learn more about who they were and how they got to this point in their lives.

By Night’s End has great lighting, camerawork and great fight choreography. It tests the couple to the maximum, as their relationship is put to the ultimate test, in trusting the other person. It discusses post traumatic stress disorder, grief, loss and survival, while having a couple navigate their way through a break in. It has great pacing, shocking moments and the score tied everything together nicely.