By: Amanda Guarragi When asked to engage with media, we must look beyond what’s on the surface. There needs to be this human connection to ground the characters in the reality they are surrounded by. No matter how obscure the production or how the characters look, the commentary about feelings, society and life will make the project more effective. The one director who consistently subverts … Continue reading ‘Poor Things’ Review
By: Amanda Guarragi As a creative, there are two different versions inside you. The persona you decide to share with the world and the tortured artist that prefers to be alone. Some people use the arts as an escape. It’s a chance to become someone else while the real version of you is hidden safely away. Many do not like to feel vulnerable or exposed. … Continue reading ‘Maestro’ Review
By: Amanda Guarragi The Holidays force families to spend more time with one another, and everyone may be at a different stage of their lives. Stereotypically, parents are the ones to keep the Christmas spirit alive, even when the little ones grow into teenagers. It’s hard for parents to accept that their children are growing up and that they lead their own lives. Once children … Continue reading ‘The Family Switch’ Review
By: Amanda Guarragi When we look at society, it has become more evident that a class system affects almost every aspect of the economy and living practices. Those who are less fortunate recognize the systemic privileges of a group of people. It feels impossible to enter that world, but there is an obsession with wanting to be part of it. Everyone has aspirations to become … Continue reading ‘Saltburn’ Review
By: Amanda Guarragi In recent years, Sir Ridley Scott has reached a level of inconsistency with his storytelling. He was once a filmmaker who broke boundaries and knew how to create the perfect heroic story. From Alien to Blade Runner to Gladiator, he was a director people were excited to watch. However, in the 2010s, Scott’s direction for his films began to change and lacked … Continue reading ‘Napoleon’ Review
Candid Cinema 