The Devil All the Time Review


By: Amanda Guarragi

The Devil All the Time is a film that is adapted from the novel of the same name, written by Donald Ray Pollock. It has a wonderful cast of actors and it highlights their strengths, in this slow burn psychological thriller. The religious, Christian ideals are tested and what is considered “right”, is in the eye of the beholder.

There are moments in this film that are assembled and revealed so well, that the way everything unfolds, will make you question everyone’s morals. Director Antonio Campos, made some great choices and there are moments that will completely catch you off guard because of how graphic certain scenes are. Some characters have a more timid presence, so the more gruesome scenes were shocking.

On paper this cast is incredible but the way they are all placed and spread out in the film, left me underwhelmed. The first half of this film, we are introduced to Willard Russell (Bill Skarsgård) and Carl Henderson (Jason Clarke) in a restaurant. They are both very reserved but have something waiting to snap, in the veil behind their eyes. The men in this town, all had the same look, their eyes crazed, while having a timid demeanour.

Even though the central story is about the demons of lineage and family trauma, for Arvin Russell (Tom Holland), the women in this film were severely underused. How can you cast Haley Bennett, Mia Wasikowska, Riley Keough and Eliza Scanlen but underuse them? The women in this story, were used to further the plot of the men in the town and it was frustrating, given how much talent they have.

Photo: Cr. Glen Wilson/Netflix
(Left) Bill Skarsgård as Willard Russell, Michael Banks Repeta as Young Arvin Russell

It is a very slow film about Christians in the ’50s and how everyone’s morals can be tested, by what the correct way to live is. Everyone moves in secret, everyone has their demons, that is why the title of this film makes complete sense, the devil will tempt you at every turn, it is up to you and your compass, to decipher what is right or wrong, in the face of God.

The saviours of the second half of this film are Tom Holland, Eliza Scanlen and the King of accents himself… Robert Pattinson. After 40 minutes, the film picks up and we are taken into the lives of Arvin Russell (Tom Holland) and Lenora Lafferty (Eliza Scanlen) as a new Reverend comes into town, named Preston Teagardin (Robert Pattinson) and changes everyone’s lives.

The Devil All the Time seems like a very long journey, with all these characters, who all have something to hide, but turn to God, to guide them in what they consider, the “right” direction. Morals are tested, lives are at stake and the executioner, can be sitting right beside them in church. It has great performances and an ending, that will mirror your feelings by the end.

Make sure to check out The Devil All the Time on Netflix September 16th!

Enola Holmes Review


By: Amanda Guarragi

The game, is most definitely, afoot!

Enola Holmes was surprisingly delightful, witty and incredibly charming, thanks to the wonderful Millie Bobby Brown. The film had its own style, while still trying to incorporate, previous iterations of Sherlockian themes. While it is set in the Victorian Era, it still tethers the voices of women all over the globe, spanning generations of fighting the patriarchy.

On Enola’s fourteenth birthday, her mother (Helena Bonham Carter) disappears and leaves clues for her young daughter. Her sons, Sherlock (Henry Cavill) and Mycroft (Sam Clafin) return home to find their sister all grown up. Sherlock assessed Enola, the second he saw her and noticed similar character traits that they share. Brown, Cavill and Clafin all gave great performances, it truly felt like they were born to play these roles and I would love to see them in a sequel.

Courtesy of Netflix (left) Millie Bobby Brown as Enola and Henry Cavill as Sherlock Holmes

The most entertaining aspect of Enola Holmes, was that there were two different mysteries trying to be solved, at the same time and it wasn’t lacking at all. Enola crossed paths with young Lord Tewksbury (Louis Patridge) who is on a mission of his own. The pair go on their own little adventure, trying to escape the hands of a hired hitman. They instantly grow fond of each other because they both feel unwanted in their own home. So being alone, together, is something that they both seem to be fine with.

What was really beautiful and heartwarming about the film was the journey Enola went on. She felt lost without her mother and Mycroft was forcing her into a ‘proper’ lifestyle, she never felt like she could be apart of. On this journey, Enola uses the “ideal” standard of dressing in gowns and makeup to her advantage, as she navigates her way through the case without anyone knowing she’s present. She’s incredibly versatile, as she dresses in clothes for men and women throughout the film.

Courtesy of Netflix (center) Millie Bobby Brown as Enola Holmes

Enola not only finds out who she is meant to be, but she becomes educated on what is happening in London and how being a woman is more than a role that is constructed by the patriarchy. Enola slowly realizes how important of a role she plays in the evolution of women’s rights in her own country. Enola also changes the mind of Sherlock, as he folds into loving his younger sister and caring for her more than he ever did.

Enola Holmes was playful and energetic, just like Millie Bobby Brown, who also broke the fourth wall multiple times. The fourth wall break, was what really brought this piece together because you felt an instant connection with her. This is one of my favourite Netflix original films and hopefully it gets a well deserved sequel!

Make sure to catch Enola Holmes on Netflix September 23rd!