The Witches (2020) Review


By: Amanda Guarragi

The Witches directed by Robert Zemeckis is a fun, family friendly, adventure film that modernizes Roald Dahl’s book. Everyone can look back on their childhood and remember something that absolutely terrified them. Some may have been scared of clowns, vampires or even werewolves (specifically to me, Michael Jackson in the Thriller music video) but the young boy in this film has an encounter with witches.

A Robert Zemeckis film is always incredibly entertaining and inventive. The story is adapted very well and the structure of the narrative made sense for a modern audience. The film begins with a slideshow and voice over by an older character (Chris Rock), retelling his encounter with witches when he was younger. It was really effective to format the film in this way because it was much easier to follow.

The film feels really extravagant because of its elaborate production and costume designs. There are so many vibrant colours used and the palette feels as whimsical as the witches themselves. Anne Hathaway as the Grand High Witch, was perfect casting and her accent was probably the funniest aspect because of the play on words for her dialogue. Octavia Spencer was a ball of light as the young boy’s Grandmother and her energy was infectious.

The Witches is a modernized version of the old tale and it feels nostalgic at the same time. This is a film that will bring the whole family together for the month of Halloween. It is filled with incredibly cute moments and some special effects that will leave you a bit spooked. Zemeckis captures the same magic that makes all Roald Dahl adaptations special.

Make sure to catch The Witches on HBO Max on October 22nd!

Mulan (2020) Review


By: Amanda Guarragi

Disney has given us another live action film from their vault and it is completely different, than what anyone had in mind. To some, the change of pace can be seen as refreshing, honest to the cultural story and beautifully shot. On the other hand, it can also be seen as a very bland, uninteresting, heartless reconstructed version of the Mulan we know and love.

The film lacks any emotional connection to Mulan (Yifei Liu) because her performance was so wooden and lifeless. The fact that her journey as a woman is completely stripped in this film, is what turned me off. The whole point of her story, is to see her grow into the woman she wants to become, not the ideal, that everyone in her village wants for her. I feel like that entire journey was lost because the story focused on the army, instead of her.

The cinematography is probably the best part of the entire film because there were some beautiful shots, but everything else was lacking. The first act felt rushed and yet the story also dragged on. There were quick cuts during action sequences, which made it difficult to understand what was happening. The VFX that was used looked like it was unfinished and at some points, it seemed like the green screen was visible.

It was really hard to get into a film that didn’t have any substance, it just felt weaker than the other live action films and I really wish I enjoyed it. I loved that there is representation on screen. It was great to see Asian culture depicted properly, and on such a grand scale, but I just couldn’t get into the film at all. I just wish there was better dialogue and a stronger story.

Mulan is a bland restructured version of the animated film we all know and love. The heart of Mulan is stripped away in this film and the acting is unconvincing. The tight combat scenes are executed well but the poor editing, creates plenty of issues for the film as a whole. It is always hard not to compare it to the animated film because so many of us grew up only knowing that version.

These live action films are very tricky to adapt because of our connection to the material. Animation is a beautiful medium on its own, so naturally people will be overly critical of a live action adaptation. In this case, Mulan is a completely different version because its focus is on what she can do for her country, instead of discovering who she is inside.