Enola Holmes Review


By: Amanda Guarragi

The game, is most definitely, afoot!

Enola Holmes was surprisingly delightful, witty and incredibly charming, thanks to the wonderful Millie Bobby Brown. The film had its own style, while still trying to incorporate, previous iterations of Sherlockian themes. While it is set in the Victorian Era, it still tethers the voices of women all over the globe, spanning generations of fighting the patriarchy.

On Enola’s fourteenth birthday, her mother (Helena Bonham Carter) disappears and leaves clues for her young daughter. Her sons, Sherlock (Henry Cavill) and Mycroft (Sam Clafin) return home to find their sister all grown up. Sherlock assessed Enola, the second he saw her and noticed similar character traits that they share. Brown, Cavill and Clafin all gave great performances, it truly felt like they were born to play these roles and I would love to see them in a sequel.

Courtesy of Netflix (left) Millie Bobby Brown as Enola and Henry Cavill as Sherlock Holmes

The most entertaining aspect of Enola Holmes, was that there were two different mysteries trying to be solved, at the same time and it wasn’t lacking at all. Enola crossed paths with young Lord Tewksbury (Louis Patridge) who is on a mission of his own. The pair go on their own little adventure, trying to escape the hands of a hired hitman. They instantly grow fond of each other because they both feel unwanted in their own home. So being alone, together, is something that they both seem to be fine with.

What was really beautiful and heartwarming about the film was the journey Enola went on. She felt lost without her mother and Mycroft was forcing her into a ‘proper’ lifestyle, she never felt like she could be apart of. On this journey, Enola uses the “ideal” standard of dressing in gowns and makeup to her advantage, as she navigates her way through the case without anyone knowing she’s present. She’s incredibly versatile, as she dresses in clothes for men and women throughout the film.

Courtesy of Netflix (center) Millie Bobby Brown as Enola Holmes

Enola not only finds out who she is meant to be, but she becomes educated on what is happening in London and how being a woman is more than a role that is constructed by the patriarchy. Enola slowly realizes how important of a role she plays in the evolution of women’s rights in her own country. Enola also changes the mind of Sherlock, as he folds into loving his younger sister and caring for her more than he ever did.

Enola Holmes was playful and energetic, just like Millie Bobby Brown, who also broke the fourth wall multiple times. The fourth wall break, was what really brought this piece together because you felt an instant connection with her. This is one of my favourite Netflix original films and hopefully it gets a well deserved sequel!

Make sure to catch Enola Holmes on Netflix September 23rd!

Everything I Learned Came From The Television Short Film Review


By: Amanda Guarragi

Everything I Learned Came From The Television is a very unique science fiction short film, that explores the damaging effects of media consumption. There are metaphors that symbolize the media’s influence, whether it be from a friend, or an inaccessible overlord, media will always have this hold on people.

The opening of this film is haunting and powerful, as a song with the title of the film, begins to play. The imagery in this film is quite stunning because of the lighting and shadowing used from the television monitors versus the world outside. We see young Hannah (Brittany Lynn Blanchard) staring at multiple monitors, as she sits on the floor. Her eyes are blank and the static from the television replace her pupils.

It locks you in the moment it begins because of how interesting the visuals are. The story is linear and the concept is intriguing because of how well crafted this film is. However, the concept does get lost in translation, as the dialogue doesn’t quite explain the purpose of Hannah recruiting minions for this ‘cult’. She has been tied to her Protector (Josh Wingate) and wants to be free of this attachment. It was a mental journey for Hannah because she started to understand the underlying issue of her powers.

Everything I Learned Came From The Television has solid visuals, beautiful cinematography and symmetry within the frame. The concept of this short film is really interesting and works well in the current climate. Technology is a beast and it can be perceived differently by other generations. It explores the true state of media consumption through a science fiction tale.

Project Power Review


By: Amanda Guarragi 

Project Power is a jam packed, action film, that explores having unique, superhuman abilities by taking a yellow pill. The powers last for a total of 5 minutes and each pill carries a different power. The streets of New Orleans is crawling with these unpredictable yellow pills, young teenage Robin (Dominique Fishback) and Frank (Joseph Gordon-Levitt), a local cop must team up with ex-soldier, Art (Jamie Foxx) to dismantle the group who created the pill. The film, co-directed by Henry Joost and Ariel Schulman is a generic action film, with an interesting story written by Mattson Tomlin.

The concept of this film will remind audiences of the mutant powers in the X-Men, but it is able to change up the superhuman abilities a bit more because of how unpredictable the pill can be. Within 5 minutes of taking the yellow pill, it can affect everyone differently, it could cause death, or they could suffer serious ailments after taking it. It is symbolic for holding power in your hand, whether it is good or bad and it could affect your life within those 5 minutes. Tomlin’s script is really well thought out but the execution is what was lacking for this film.

The cast give great performances and they really carried the film until the very end. Dominique Fishback, Jamie Foxx and Joseph Gordon-Levitt all had great chemistry with each other and had very strong backstories that came together nicely. The connection between Robin and Art was interesting because she reminded him of his daughter and the flashbacks to show how he lost her flowed nicely in those scenes they shared. Joseph Gordon-Levitt as the undercover cop was such great casting, he was so good in his role and it’s always great to see him in an action film.

The story was really detailed and the information about how the yellow power pill came to fruition, unfolded nicely as the film went on. The issue with the film was the pacing, special effects and the execution of certain actions sequences. The editing was messy to the point where it was hard to understand who was fighting on screen. The different superhuman abilities were also confusing because they never explained how or why each pill was different.

Project Power has strong writing and performances but lacks in executing action scenes that work with the concept. The special effects were pretty mediocre but the ideas that were put in place for these superhuman abilities were commendable. It has the typical action film clichés, some questionable moments regarding political commentary and some choices that will surprise you. It is another original concept from Netflix and that is the important thing because we have to support original films.

An American Pickle Review


By: Amanda Guarragi

An American Pickle is based on the short story named ‘Sell Out’ written by Simon Rich, which was published in the ‘New York Times’. It begins as an immigrant story, as pickle factory worker, Herschel Greenbaum (Seth Rogen) retells his journey to New York City. It is a heartfelt tale, about generational differences and how traditional values are interpreted in the current social climate. Brandon Trost’s directorial debut is a lot of fun, very stylized and wholesome.

The social commentary and the political correctness mixed with old ideologies, set up for a very humorous and entertaining film. It was also important to show Herschel’s journey, as a Jewish man, who was so connected to his faith and his family. It seemed as the film went on and he met Ben Greenbaum (Seth Rogen), the link to those family values were broken. Herschel and Ben learned a lot from each other, even though they were 100 years apart.

The dual role that is played by Seth Rogen is really well done. There was a lot of though that went into these characters and their backstories. The film was at its strongest when they were together and playing off each other. It is one of Seth Rogen’s best performances because of how distinct he made both characters. He kept the accent for Herschel throughout and his mannerisms were even very traditional. It was a far fetched concept but the connectivity between Herschel and Ben was the heart of this piece.

The social commentary is really effective because they presented a fight with outdated ideologies. Herschel ended up being praised for his freedom of speech, which is something we see a lot of with this generation, even if they are completely absurd. The way Simon Rich presented the current climate with Herschel at the forefront, attempting to attain the American Dream in a different era, was refreshing. It also expressed the different perceptions of family values in two vastly different lifestyles.

An American Pickle is such a sweet film about family, hard work and heritage. It was funny, informative and definitely educational. To see both era’s come together and clearly understand how much has changed in 100 years was important. It seems as if people have lost certain values and this film presents them in a new way. The most wonderful thing about this film was the way it presented the human connection, in all its messiness and its unity. Seth Rogen never misses and he continues to make great content.

 

 

Cannes Award-Winning Feature: ‘Dollhouse: The Eradication of Female Subjectivity from American Popular Culture’ Review


By: Amanda Guarragi 

The ‘Cannes’ award-winning feature Dollhouse: The Eradication of Female Subjectivity from American Popular Culture is a satirical animated film, that dives deep into the stories of young Hollywood starlets and their treatment throughout the years. It is written, directed and produced by Nicole Brending, who also voices 14 characters in the film. It takes multiple tabloid stories from the lives of Lindsay Lohan and Britney Spears and bluntly addresses the toxic, intrusiveness of the media, when it comes to young teenage girls, being forced into an industry standard.

It is extremely fitting, to have dolls symbolize the conformity of being a starlet in Hollywood and having to essentially become a clone, in order to become accepted by everyone. The first half of this film, explores the sexploitation of young women in the music industry and how they have been mentally abused, by the authoritative presence surrounding them. At the young age of 12, Junie Spoons was cast in the show Candy Castles, which very much resembles the Mickey Mouse Club and it was more of the journey Britney Spears went on at a very early age.

dollhouse 1

Courtesy of Rock Salt Releasing

When taking serious subject matters and presenting them through a different medium, in this case, animation, it is much easier to express honesty in the toxicity of the subject. Brending was so honest in her storytelling and how the media, would always spin the lives of young starlets in a negative manner. The one thing I found worked really well was the depiction of men, through boyband member Zachary Wilderness, whose name oddly resembles Justin Timberlake’s. Bendring presented the journey of Zachary Wilderness, as this perfect fairytale and that’s how young men, are taken care of by the media in the industry.

The juxtaposition of the two, was really eye opening, especially because young starlets like Miley Cyrus and Demi Lovato, have been very outspoken about the treatment of women in the industry, specifically child stars. It is very well written and uses major tabloid stories, that viewers still remember to this day. It was hard to watch because of how in depth the film went into Britney Spears and her downward spiral, especially considering how much we know now. It was necessary to make a film like this, in all of it’s nastiness, while addressing the faux journalism that takes place when taking control of these narratives.

news

Courtesy of Rock Salt Releasing 

The film does lose its way in the third act with a surprise storyline. There was a storyline that was placed at the end involving a transgender character and I think that’s where it lost its way a bit. It was difficult to understand why this storyline came up towards the end and I tried to find the symbolism behind it. It seemed that it was symbolic, in wanting to achieve perfection and the media’s idea of perfection, is the look of a young Hollywood star. This ideal is so incredibly damaging, that it leads to many eating disorders and plastic surgeries gone wrong. It still doesn’t make the case, as to why the sexual identity comes into play at the end but it’s definitely up for interpretation.

Dollhouse: The Eradication of Female Subjectivity from American Popular Culture is a film that allows viewers to understand and interpret how poorly treated these young girls are. They are exploited sexually, forced to grow up in a toxic environment and treated as a possession, until they are old enough to understand how authority figures abused their power over them. Nicole Brending does excellent work in delivering this subject matter with such brutal honesty, that the film should be studied for years to come.