Body & Bones Review


By: Amanda Guarragi

Body & Bones written and directed by Melanie Oates, tells a tale of a young girl named Tess (Kelly Van der Burg) trying to find some sort of spark in her life again. She has been missing school and has detached herself from her home life completely. She uses music to escape the world and the way she’s feeling. One artist, in particular, named Danny Sharpe (Joel Thomas Hynes) has become her obsession. So what would happen if a young, impressionable, teenage girl met her idol? Melanie Oates explores the brutal truth.

I think many of us have wondered about meeting our idols, or celebrities that we are infatuated with, or even just admire. Oates takes a teenage girl and whisks her into the life of a washed up rockstar. It is a journey that should be seen because teenage girls are often blinded by the persona of someone older. It is always explored as something great and it is often romanticised but this was the total opposite. Oates made sure to show the alcoholism, verbal/emotional abuse and the complete disregard for a woman, once she has been used to her full capacity.

There are some very strong moments, especially from Van der Burg as she explores her sexuality and a very powerful moment in the third act of the film. It truly shows how damaging a relationship can be with someone you think you know. It is the perception of the person, that we tend to put on a pedestal because you are so infatuated with them. People can be blinded by the one they’re aching for and sometimes do questionable things, like moving in with them at the wrong time, for the wrong reasons, as Tess did.

Body & Bones does show the extent of a wrong relationship, as Oates carefully builds up tender moments shared between Danny and Tess, only to rip the bandaid off in the end. It has a great soundtrack to accompany the emotional connection Tess has with Danny and some great camerawork. It is a film that takes the ultimate fantasy and shows the brutal reality of it all.

The Glorias Review


By: Amanda Guarragi

The Glorias directed by Julie Taymor is a beautiful film, honouring Gloria Steinem’s life and everything she has done for women. The film shows the multiple versions of Gloria, throughout the years and the conversations she would have with younger versions of herself. It is a rather unique biographical drama because of the choices made by Taymor.

The film begins with the Glorias on a bus, sitting in different seats and staring at the window. The bus was in black and white, but the outside world was in colour. By showing all four Glorias on the bus at the beginning, shifting from actress to actress, so the audience knows ahead of time was a nice touch. The way they would return, to the Glorias on the bus, on this long winding road, paralleled her long life and her incredible journey. The editing could have been a bit cleaner, in the first half, with the young Glorias but it eventually hit its stride, in the middle with Vikander.

Alicia Vikander and Julianne Moore, gave great performances as Gloria Steinem, the most important thing they were able to capture, was her voice. You don’t realize how distinct someone’s voice actually is, until you hear an actor change theirs, to sound like them and like every journalist, her voice mattered. It was incredibly important for Vikander and Moore to accurately sound like her.

The film did run a bit long, like any biographical drama, but it incorporated different elements. There were dreamlike sequences that would take the viewer in and out of Gloria’s mind. What I really appreciated was seeing Gloria talk to her younger self, an actual conversation with her young, open-minded and ambitious self. It was interesting to see how she started, what her thought process was, and how it all changed in the blink of an eye.

The Glorias is a very special film about highlighting women’s voices from every race, nationality and sexual orientation. It takes many people to start a movement and even though, Gloria Steinem is the name people remember, she made it known, that she was not alone in fighting for women’s rights.

Mulan (2020) Review


By: Amanda Guarragi

Disney has given us another live action film from their vault and it is completely different, than what anyone had in mind. To some, the change of pace can be seen as refreshing, honest to the cultural story and beautifully shot. On the other hand, it can also be seen as a very bland, uninteresting, heartless reconstructed version of the Mulan we know and love.

The film lacks any emotional connection to Mulan (Yifei Liu) because her performance was so wooden and lifeless. The fact that her journey as a woman is completely stripped in this film, is what turned me off. The whole point of her story, is to see her grow into the woman she wants to become, not the ideal, that everyone in her village wants for her. I feel like that entire journey was lost because the story focused on the army, instead of her.

The cinematography is probably the best part of the entire film because there were some beautiful shots, but everything else was lacking. The first act felt rushed and yet the story also dragged on. There were quick cuts during action sequences, which made it difficult to understand what was happening. The VFX that was used looked like it was unfinished and at some points, it seemed like the green screen was visible.

It was really hard to get into a film that didn’t have any substance, it just felt weaker than the other live action films and I really wish I enjoyed it. I loved that there is representation on screen. It was great to see Asian culture depicted properly, and on such a grand scale, but I just couldn’t get into the film at all. I just wish there was better dialogue and a stronger story.

Mulan is a bland restructured version of the animated film we all know and love. The heart of Mulan is stripped away in this film and the acting is unconvincing. The tight combat scenes are executed well but the poor editing, creates plenty of issues for the film as a whole. It is always hard not to compare it to the animated film because so many of us grew up only knowing that version.

These live action films are very tricky to adapt because of our connection to the material. Animation is a beautiful medium on its own, so naturally people will be overly critical of a live action adaptation. In this case, Mulan is a completely different version because its focus is on what she can do for her country, instead of discovering who she is inside.

Cannes Award-Winning Feature: ‘Dollhouse: The Eradication of Female Subjectivity from American Popular Culture’ Review


By: Amanda Guarragi 

The ‘Cannes’ award-winning feature Dollhouse: The Eradication of Female Subjectivity from American Popular Culture is a satirical animated film, that dives deep into the stories of young Hollywood starlets and their treatment throughout the years. It is written, directed and produced by Nicole Brending, who also voices 14 characters in the film. It takes multiple tabloid stories from the lives of Lindsay Lohan and Britney Spears and bluntly addresses the toxic, intrusiveness of the media, when it comes to young teenage girls, being forced into an industry standard.

It is extremely fitting, to have dolls symbolize the conformity of being a starlet in Hollywood and having to essentially become a clone, in order to become accepted by everyone. The first half of this film, explores the sexploitation of young women in the music industry and how they have been mentally abused, by the authoritative presence surrounding them. At the young age of 12, Junie Spoons was cast in the show Candy Castles, which very much resembles the Mickey Mouse Club and it was more of the journey Britney Spears went on at a very early age.

dollhouse 1

Courtesy of Rock Salt Releasing

When taking serious subject matters and presenting them through a different medium, in this case, animation, it is much easier to express honesty in the toxicity of the subject. Brending was so honest in her storytelling and how the media, would always spin the lives of young starlets in a negative manner. The one thing I found worked really well was the depiction of men, through boyband member Zachary Wilderness, whose name oddly resembles Justin Timberlake’s. Bendring presented the journey of Zachary Wilderness, as this perfect fairytale and that’s how young men, are taken care of by the media in the industry.

The juxtaposition of the two, was really eye opening, especially because young starlets like Miley Cyrus and Demi Lovato, have been very outspoken about the treatment of women in the industry, specifically child stars. It is very well written and uses major tabloid stories, that viewers still remember to this day. It was hard to watch because of how in depth the film went into Britney Spears and her downward spiral, especially considering how much we know now. It was necessary to make a film like this, in all of it’s nastiness, while addressing the faux journalism that takes place when taking control of these narratives.

news

Courtesy of Rock Salt Releasing 

The film does lose its way in the third act with a surprise storyline. There was a storyline that was placed at the end involving a transgender character and I think that’s where it lost its way a bit. It was difficult to understand why this storyline came up towards the end and I tried to find the symbolism behind it. It seemed that it was symbolic, in wanting to achieve perfection and the media’s idea of perfection, is the look of a young Hollywood star. This ideal is so incredibly damaging, that it leads to many eating disorders and plastic surgeries gone wrong. It still doesn’t make the case, as to why the sexual identity comes into play at the end but it’s definitely up for interpretation.

Dollhouse: The Eradication of Female Subjectivity from American Popular Culture is a film that allows viewers to understand and interpret how poorly treated these young girls are. They are exploited sexually, forced to grow up in a toxic environment and treated as a possession, until they are old enough to understand how authority figures abused their power over them. Nicole Brending does excellent work in delivering this subject matter with such brutal honesty, that the film should be studied for years to come.

‘The Great’ Review


By: Amanda Guarragi 

The Great is a series, that is based on the play created by Tony McNamara, which focuses on the history of Russian Emperor Peter III and the fearless Catherine the Great. It is a satirical, comedic drama that follows Catherine’s (Elle Fanning) journey as an outsider, as she navigates her way to solidifying her position as a ruler. It is a fictionalized series, that details Catherine’s early twenties and her plot to kill her deranged and sadistic husband. The Great on Hulu is completely unhinged, daring and humorous because of how exaggerated their behaviour is.

It is a series that is so bold with its storytelling because of how honest and vulgar the dialogue is, especially when Emperor Peter III (Nicholas Hoult) is speaking. It is a strong piece on the Catherinian  Era that really has not been done before. It is incredibly entertaining, charming and does not shy away from the possibility, that people in that era, would have been just as heinous in their personal lives. It is eye opening because it is believable that the murder, torture and poor treatment of women in the Russian Kingdom, under Emperor Peter III’s rule, would have been that brutal.

the great

Courtesy of Hulu (left) Nicholas Hoult, Elle Fanning 

The character development for Peter and Catherine, shift immensely from the beginning of the series and it is almost as if they began to pull traits from each other. At the start, Catherine is this love struck, naive, young woman, who is pulled into the authoritative, violent hands of Emperor Peter III. She was taught that love conquers all and that her kind heart will serve her well in this life. She had this romanticized perception of the palace life, until Peter broke her innocence. Catherine’s loss of innocence was probably the most moving aspect about this series because she had to quickly adapt to the situations unfolding around her.

Peter, on the other hand, did not care about anyone else but himself and his narcissism got the best of him. He has a gigantic ego and pleases himself in anyway he can. He does not care for his Kingdom, or his subjects and did absolutely nothing to help his people. He would drink, eat, torture and have affairs with whomever he wanted. Catherine took notice of his unbearable behaviour and any romantic feeling, that could have developed between the two of them, seemed impossible. The sex scenes between Catherine and Peter, were cold, rigid and neither of them felt anything, they went through the motions because it had to be done, in order to conceive an heir.

The first half of the series shows Catherine’s crushing realization, that Peter was not a normal human being. In fact, he is one of the most peculiar characters I have seen on a series in a while. He is so complex, in an obscure way and just when you think he falls into some kind of normalcy, he surprises you. Catherine builds up her power and forges a plan to take down Peter, through her network of people that have sided with her and against the Emperor. Catherine slowly develops the same raw, animalistic and daring traits as Peter, but utilizes them against him. She was cunning and knew that in order to take Peter down, she had to feed his ego and in doing so, she became more powerful than he could ever be.

ctg

Courtesy of Hulu (center) Elle Fanning as Catherine the Great

The humour was also quite refreshing and honest and I think that’s why I fell in love with this series. It is definitely unconventional and Nicholas Hoult gave one of my favourite performances of the year as Emperor Peter III, his line delivery and presence on screen really carried the series and made it so entertaining. The script was filled with dirty one liners and ballsy dialogue, that you normally would not hear in a comedy today. Hoult and Elle Fanning had such powerful chemistry, that with every scene they shared their feelings became more palpable and the closer that their characters got to each other, created more playfulness that resulted in a great finale.

CTG 2

Courtesy of Hulu (left) Elle Fanning and Nicholas Hoult 

Elle Fanning was a dream as Catherine the Great, she embodied her perfectly and had a fantastic performance alongside Hoult. It was just such a beautiful portrayal because of her journey and her development as a ruler and a woman. She was fearless, ferocious and stopped at nothing to get what she wanted. She perfectly manipulated him with her intelligence, wit and faux naivete that proved she would be the better ruler. The finale was well written and executed so well, that the final shot of Catherine, obviously left me wanting more and thankfully there will be a Season 2.

The Great on Hulu is one of the best series that has come out this year; it is fun, sexy, hilarious and unique, which will leave you wanting more after each episode. The energy from Hoult and Fanning is infectious and their chemistry carries the entire show. The endless cycle of manipulation creates a very entertaining atmosphere for the ensemble and everyone wants to take a jab at Emperor Peter III. It is incredibly binge-worthy, that you will be able to hopefully finish it in one sitting. If you loved this Era of history, then this show is definitely for you!