By: Amanda Guarragi
Woman in Car premiered at the Canadian Film Festival last week. It is such a multilayered film, that dives into the female experience through relationships, trauma and deceit. It is always interesting to explore the female characters in high society because there can be so much to unpack. It is an in-depth look at the psychology of past mistakes and how it can affect the future. The script is well-written and Vanya Rose peels back the many layers of Ann (Hélène Joy). There are so many things to unpack in this story and Ann’s experience as a woman is really interesting to dive into.
Rose wanted to explore this bourgeois society because of her interest in Edith Warton’s novels. Warton always wrote about it and more importantly she questioned it, even though she was a part of it,
“We have this neighbourhood in Montreal, called West Mount which is kind of what used to be the center of money in all of Canada. Montreal was the center of everything. It was home to the richest people in Canada. And so that interested me bc it had never been explored in Quebec at all. We see a lot of the working class films, which are great, beautiful films but we don’t really see how Montreal had that historically, and it’s still there.”– Vanya Rose, Woman in Car
In order to understand Ann’s internal struggle, one has to understand the society she lives in and the family she is connected to. As we see in the film, Ann’s persona is quite different around her mother-in-law Charlotte (Gabrielle Lazure), stepson Owen (Aidan Ritchie), and newcomer Safiye (Liane Balaban). She hides pieces of herself from the people she meets with. The one thing that really interested me was Ann’s sense of control. Rose wanted to give Ann a passion, so she chose archery,
“I wanted Ann to have a passion. I wanted her to have something that she had given up. What’s amazing about these archers is not only are they complete perfectionists, like to the nth degree, they’re a little bit odd these people, they have a very specific skill that they developed. It’s a skill of shooting something directly on the nose and that’s all you do over and over again. You have to have a personality type, that’s just so foreign this desire and this training that goes into that.”– Vanya Rose, Woman in Car
Archery has always interested Rose and it came through with the character of Ann. The way that the archery, can be interpreted through Ann’s character is that she always needs to be in control. Even as she was losing herself in her former marriage, she found something in her stepson to regain that control, even though the events made her spiral even further. She wanted to make decisions on her own but this society she was in, this family that she married into, wasn’t easy for her at all. We see that Ann has a clear shot at the beginning of the film, she was composed and reserved. She managed to hit the bullseye. Then towards the end of the film, she can’t even calm herself down in order to shoot the arrow at all.
Ann slowly unravels as the film goes on, and it is connected to her feeling neglected, in her relationship with her soon-to-be husband. When asked about showing that kind of emotional experience and why it is necessary to show on screen, Rose said, “I think that’s what art is right, isn’t art all about showing our human experience? I think that as a man or woman, though our human experiences, there is a lot of pain and I think joy is actually a very small part of all that.” She goes on to say that we all go through hardships, whether it be relationships or even pandemics, they impact us more than the greater joys in our lives, but that is what makes those moments special.
Woman in Car is all about human connectivity and relationships. Rose explores the way people treat each other and how they can change their perspective. Rose wanted to show a little compassion in this film, especially between women, “I think that’s the key. I think women have been traditionally pitted against each other because of competition and survival. What if we got rid of that? We don’t need to follow that old scenario, get beyond it and reach out to each other.” The relationship between Ann and the women in her life is very strained. There are vulnerable moments shared between the female characters in the film, where they each gain a deeper understanding of who they are. The film is multilayered, nuanced and incredibly sophisticated. It is a film that will keep you glued to the screen and will have you questioning what is possibly going to happen.