Tigertail Review


By: Amanda Guarragi 

Alan Yang’s directorial debut Tigertail is a story about generational values and decision making. He tells the story about a Taiwanese factory worker, Grover (Hong Chi Li/Tzi Ma), who leaves his homeland to seek opportunity in America. We watch his story unfold, as he reflects on his life and how ended up in his current position. Yang wrote a very moving and introspective script, which captured each generation perfectly and how certain decision cause a ripple effect on the future generations.

The story flowed nicely from scene to scene and the editing was utilized in a way, that made the flashbacks seem more present in his mind rather than using a different colour grading to show the shift in time. As the story unfolds and we get to know more about Grover, we begin to understand how his decisions changed him as a person and how that affected his relationship with his daughter Angela (Christine Ko). Grover came from a small town in Taiwan and wanted to help his mother get out of the factory. As a child, the one thing you want to be able to do, is help your parents because they also struggled to give you as much as they could.

Tigertail delivers on all fronts and examines classicism and social status throughout generations all while telling a heartbreaking love story. Yang showed Grover (Hong Chi) develop a relationship with his childhood friend Yuan (Yo – Hsing Fang/Joan Chen) and openly discussed their financial differences. Yuan and Grover were young, reckless and in love. Their connection and chemistry was natural and you could feel that they were meant to be with each other. Yang then showed Grover’s ambition and love for his mother, by giving him an opportunity to move to America with another woman, Zhenzhen (Kunjue Li/Fiona Fu).

This major life decision stayed with Grover for the rest of his life and altered him as a man. Tzi Ma gave an incredible introspective performance and Grover’s loneliness was felt throughout the film. He became an entirely different person because he had to start from scratch, in a new country and work double to make a living for his wife and family. As time went on, Grover became more stubborn, stern and didn’t have the same carefree nature as before. Yes, people get older and their priorities change but their spirit should be able to remain the same, IF they make the right decisions in their lives.

Grover cared about financial stability and passed that down to his daughter Angela, while she was contemplating marrying her boyfriend Eric. Angela worker hard her entire life and throws herself into her work, much like her father. I valued Angela and Grover’s, father/daughter relationship because of how similar they were, without them realizing it. Those moments shared between them and finally coming to terms with how their lives went and the parallels was so intriguing in this film. The direction from Yang really brought their individuality together and had them share such intimate moments after all these years.

As I watched Tigertail I questioned if love was truly enough, if love CAN conquer everything and anything? How do we know we’ve made the right decision when choosing a partner? Have I chosen this person because I do love them or is it out of convenience? Do I love them or the image of them? Am I in love with THEM or the idea of a relationship? These are the questions that I have always thought about and Tigertail made me understand life and relationships a bit more.

The one thing Yang so expertly shows is the evolution of love through generations, while still keeping the same core value intact. Yes love can conquer anything, if you’re with the right person and there’s a balance, that’s a chance everyone has to take. However, financial stability and personality traits, that don’t seem like an issue early on, can definitely affect the relationship in the future. Love is a gamble and I think this generation doesn’t think of the future and how one decision can affect their entire life. My grandparents, much like Grover, never really had a choice in who they loved, they just knew they had to make a living and evolve trying to make a better life for themselves.

Tigertail is possibly one of Netflix’s best original films because of how much it covers in such a short period of time. Alan Yang takes you on a very realistic journey that will leave you heartbroken but hopeful at the end of the film. It is a multi-generational drama that will pull at your heartstrings and will leave you with a new appreciation, for prior generations, who built the foundation for all of us to walk on. Without their sacrifices, none of us would be where we are today and Yang covers it beautifully.

How To Save Our Planet Through De-Extinction: An Interview With “We Are As Gods” directors Jason Sussberg and David Alvarado


By: Amanda Guarragi 

The world as we know it, has drastically changed and our planet has slowly deteriorated. There are so many aspects such as, industrialization, deforestation and pollution, which affect Global Warming and our climate is changing more rapidly than ever. It seems as if the vicious cycle of capitalism has made the global population forget about taking care of our planet. Recently I watched a documentary, which was supposed to premiere at SXSW this year, called We Are As Gods. It is an in depth look at Stewart Brand’s life and his interest in de-extinction. This documentary shows the reasons why our planet has been deteriorating and that humans are to blame for the current state we are in.

Co-Directors Jason Sussberg and David Alvarado wanted to shed light on Brand’s ideas of long-term thinking and how people could save the planet. “The idea of doing a feature film on Stewart’s remarkable life and controversial de-extinction project seemed so cinematic, fascinating, and urgent: we’re losing (and have lost) keystone species causing impoverished ecosystem; and humans are to blame.” It educates the viewers about the history of the Earth and the current state humans are living in. They showed that there is a possibility that useful sciences could eventually restore some sort of balance to our deteriorating planet.

The documentary shows the longevity of theories and that it takes one man, to create a hypothesis to counter scientists or environmentalists. I had asked Sussberg and Alvarado about their thoughts on the current state of the world, as we are living through a historical event with global pandemic COVID -19, causing panic and tragedy across the globe.

“It’s hard to answer this question while in the middle of a global pandemic and likely economic depression. It’s bleak and going to get a lot worse, before it gets better. We’ll lose friends and family to the virus, people will feel isolated and depressed, and then the economy is going to be destroyed for a while… Our minds are solely focused on survival in the immediate, but we need to think long-term to maintain civilization. All of the missteps so far (not testing early, not going on severe lockdown sooner, not mobilizing industry to build ventilators and protective equipment) were motivated by short-term thinking—making the markets happy and not grinding capitalism to a screeching halt. By thinking long-term, you make near-term sacrifices, knowing that the outcome will be better in the future—lives will be saved, the healthcare curve will be flattened, economies will rise again, and the overall health of civilization will be prosperous.” – Directors Jason Sussberg and David Alvarado

The title of the film, We Are As Gods is the opening line of The Earth Catalogue that Stewart Brand created in the late 60s. “As the title suggests, “We are as gods.” The second half of Stewart’s quote is “and we might as well get good at it.” Beyond environmentalism and conservation, this concept extends to the current crisis.” Sussberg and Alvarado link it to the current pandemic and how it came about, “Our global civilization created the ingredients for a pandemic to flourish. But our god-like powers (science and technology) will solve this problem. A COVID-19 vaccine is the only solution that will safeguard our civilization from a major contraction in life and prosperity.” It’s a simple quote that can be interpreted in so many ways and can definitely apply to anything.

We Are As Gods shows the future of biotechnology and how we, as a civilization, can move forward. As stated in the documentary, if we bring certain species back it will restore their own ecosystem and create a balance. Sussberg and Alvarado have put their faith in the restoration of these ecosystems and do believe de-extinction can work. This documentary about Stewart Brand’s life holds so much value because of his views on humanity, science and the entire planet.

The Way Back Review

The Way Back is more than your average sports film. Yes, it feels all too familiar but what really makes it stand out, is the integration of Coach Cunningham’s backstory and how it affected his outlook when coaching.

Jack Cunningham (Ben Affleck) used to play basketball in high school. He was the all star player and was at the top of his game. After a series of poor decisions, that were made to spite his own father, Jack ended up being in a spot he never thought he’d be in. It’s true when people say that the child pays, for the sins of the father. It’s a vicious cycle and it takes one small change, to break the cycle.

Gavin O’Connor is a fantastic director and I really enjoy his style. The Way Back felt like a tight knit sports drama, while the observational style in the camerawork, felt like I was watching a documentary. The story was incredibly realistic and that’s why it pulled on the heartstrings. More importantly, O’Connor always manages to slowly peel back the layers of his characters, making the story progression more impactful. It’s a slow burn but it’s definitely effective.

Jack Cunningham is a very strong character. He’s subdued, most of his fighting is internal and his love of basketball makes him regain control of his life. This is also Ben Affleck’s best performance to date. It could be because the subject matter is close to him, so he could relate to Cunningham a bit more, but nonetheless, it’s incredibly moving. I don’t think I’ve ever seen him play such a vulnerable character. It’s heartbreaking to watch because of how personal this film is to him. Affleck and O’Connor work very well together and this is their best collaboration yet.

Cunningham’s backstory, is more complex than the trailers lead on. As the story unfolds, his demons creep out and his past continues to haunt him because he represses his pain. Once he becomes a Coach and he’s around teenagers, with the same love for basketball, that he once had, he begins to reflect on his life. It’s an internal performance from Affleck but when he’s on the court with his team, that’s when the magic happens and I couldn’t have been happier to see him like that.

Affleck is the driving force of this film and it’s such a great sports film. The whole team was great and each of them had strong backstories. It’s all about being a role model to these kids and Cunningham did that without trying to be one. Sometimes you may feel small and think that your presence doesn’t affect anyone because that’s the darkness of doubt overpowering your mind. You may not think here are people who love and appreciate your existence, but there are.

It’s strong subject matter of alcoholism was executed quite well throughout. The way O’Connor showed the abuse of alcohol was unsettling but effective. No one had to say a word, but seeing any drink in Cunningham’s hand made me sad. It’s difficult to sit through because of how well they showed the alcoholism. Majority of the time the alcoholism is discussed but never shown and that’s why The Way Back is so well done.

I’m incredibly proud of Ben Affleck and how he chose this film to be a catharsis for his own suffering. The Way Back is one of his best, if not his BEST performance and he should be recognized for this. It’s hard to be vocal about your own pain and suffering and it’s a big step to openly discuss it with the world.