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CandidxCinema Episode 6: The Media’s Punching Bag

In this episode, I review TheWayBack and discuss how the media treats Ben Affleck. There are many celebrities that get treated poorly by the media and I highlight others as well.

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Posted in: Podcast | Tagged: blog, blogger, Cinema, criticism, current, drama, Entertainment, featured, film, Film Critic, film criticism, film review, Film Reviews, film writer, Films, Journalism, movie, movie critic, movie critics, movie review, movie reviews, Movies, Podcast, Podcasting, publishing, Reviews, Writer, writing

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The Hollywood Shift: What Does The Future Hold For Movie Theatres?

CandidxCinema Episode 7: The Hollywood Shift

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“The Scream franchise relies on references and tropes to shape the current instalment they’re working on. In Scream 6, they do just that by referencing previous Scream films in the franchise and the stepping stones to the grand reveal were perfect. It made for some very funny moments and great banter between returning characters like Kirby (Hayden Panettiere) and the new characters in the franchise. The journey may have been suspenseful, well-written and cheeky, but the third act didn’t stick the landing. The reveal felt predictable, and the explanation overstayed its welcome. However, the strength lies in Barrera and Ortega’s performances as they’ve grown as sisters. The ending creates a strong arc for Sam Carpenter, which opens a door of possibilities for the writers to flip the script on the franchise. Even though it didn’t deliver on the reveal, the third act affects Sam and makes it all worth it.“

“#Creed3 is a powerful directorial debut for #MichaelBJordan because he used what he learned from previous instalments and reworked it to include aspects important to him. It was the right time for Jordan to tackle working behind the camera, and he took some big swings. The story is a bit weaker than the previous two films, but the performances make it stronger. The third instalment closes Adonis’ arc, and despite his past, he made such a beautiful life for himself and will continue to do that for his daughter. It explores the bond of brotherhood and how children mature faster during difficult times, which affects them later in life. This film shows that your past doesn’t define you, but your decisions will clear a path meant to work in your favour. Just like Jordan – who has tirelessly worked his way to the top – Adonis has made his legacy that his father, and Rocky, would be proud of.“

“Banks makes some great choices with the action in this film. There was good tension to build up to the reveal of the bear in certain scenes. There are subtle movements that make you feel that something is lurking, and then the bumping score would add to the surprise of the bear attack. The kills are the most important aspect of this film. Those kills were inventive, bonkers and hilarious. Limbs were flying off, and the bear brutally attacked people differently. The more cocaine the bear found, the more you began rooting for her. Once we find that the bear is a woman (thanks to Eddie saying it aloud when she collapses on top of him), the story about motherhood and protecting their young no matter what becomes even more prevalent as they near the end.”

“They spent the majority of the film in the quantum realm but prolonged Janet telling Hank and Hope what had happened to her until halfway through the film. Scott and Cassie met people who lived in the quantum realm. But even then, everything felt a bit empty. There was dead air, which is the result of poor editing. And even empty conversations that went nowhere. There wasn’t enough story for a two-hour film because all they did was set up Kang. At this point, it’s no longer fun to sit through two hours of set-up to only wait another couple of years for the conclusion to happen. The story needs to be stronger in the film being presented to audiences. This is phase five, and the formula is no longer a formula, just repetition. The film suffers from uneven pacing and trying to add too much to push the characters forward again.“

“In this final instalment, Magic Mike takes his last dance as he follows a wealthy socialite named Max (Salma Hayek), who hires him to do a special job for her. Max is in the middle of a divorce, and she wants to reclaim who she is. In doing so, she wants to revamp the outdated play in place at The Rattigan Theatre to something more empowering. She wants Mike to help recapture the magic of the night they spent together through dance. By creating a story dipped in female fantasy. Women’s desires are all wrapped up in this one play that Max and Mike design. Mike teaches intimacy, consent, connection and appreciation of women through dance. There is no stripping without an intimate connection with women in the audience, and that’s what makes Magic Mike’s Last Dance so entertaining to watch.”

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