‘Wednesday’ Series Review

By: Amanda Guarragi

When it comes to cult classics The Addams Family is one of them. Americans got to know the family as a comic in The New Yorker in 1938. After comic artist Charles Addams died in 1988, The Addams Family became public domain and has been adapted into films, television shows, and even video games. In 1991, Barry Sonnenfeld revamped The Addams Family for a new audience, who brought some campy goodness to the characters. Even though the cast was iconic, there was just something about Wednesday Addams, played by Christina Ricci. She was the most interesting character and had so much to do. After Ricci dominated the role, it wasn’t touched again until now. Director Tim Burton and Jenna Ortega presented a new side of Wednesday Addams in the Netflix series Wednesday. 

In this series, Wednesday is up to her destructive ways as she protects her brother Pugsley (Isaac Ordonez) from bullies at school. Now, the Addamses have been integrated into society for a while. They have been at a regular middle school, and Wednesday hasn’t been the most approachable. By defending her brother, she gets expelled and is sent to Nevermore Academy. The catalyst for Wednesday’s story is her connection with her mother Morticia (Catherine Zeta-Jones). She doesn’t t want to be like her at all, and now by going to the school she graduated from, she wants nothing to do with her legacy. This series explores Wednesday’s individuality and tough exterior. As each episode passes, she becomes softer because she begins caring for her friends around her. She does understand that it’s important for her to make friends, but she remains guarded. 

As Wednesday navigates through this new school, she uncovers more about her family than she had hoped. While people are investigating her, including her therapist, she is tracking a different case entirely. The deeper she goes into uncovering the truth about her parents, the more people end up helping her. It’s wonderful to see Wednesday in a different light in this series. Ortega was made for this role, and she understood the emotional depth she needed to bring to the character. Wednesday was never heartless, and she would fight for her loved ones fearlessly. That is how she builds her relationships at Nevermore. Even if she’s cold and a bit of a sociopath, she is still humorous. Without Ortega boosting the script as she commands the screen, the other characters somewhat fall flat. It’s hard to set up a well-known character in a new environment and develop others around them. 

Tim Burton’s Wednesday is a fun addition to the franchise, and Jenna Ortega is a bonafide star. The pairing is a match made in heaven, as Ortega explores Wednesday’s psyche, and Burton presents a new fantastical world for her to play in. The pacing of this series is probably its biggest issue, as some episodes drag a bit. The episodes that have Morticia and Gomez (Luis Guzmán) are placed at the right moments to push Wednesday forward into the investigation. Wednesday does feel less alone at Nevermore Academy because she can connect with others who are different. She taps into her supernatural powers, which helps her understand odd things that happen around the area. Two stories flow into each other, and it would have been better if there wasn’t so much excess. It’s a fun series that takes a bit to get going, but once it does, these characters help Wednesday become a different person by the end of it. 

‘The Lincoln Lawyer’ Review

By: Amanda Guarragi

Legal dramas are always entertaining to watch, just as long as the story is engaging. Whether it’s a television series or a movie, the storyline has to be interesting enough to keep the audience invested. The Lincoln Lawyer offers a bit of everything in regards to a strong, fun, engaging legal drama series for Netflix. The series movies pretty fast and allows for multiple storylines to be used effectively throughout. Surprisingly, having smaller trials in the first half and then diving into the bigger trial in the last half worked. Viewers get to know Mickey Haller (Manuel Garcia-Rulfo) through those smaller trials and then root for him in each episode.

When we meet Haller, he is an iconoclastic idealist, who runs his law practice out of the back seat of his Lincoln Town Car. He takes on cases big and small across the expansive city of Los Angeles. It is based on the series of bestselling novels by renowned author Michael Connelly and this first season is based on the second book in “The Lincoln Lawyer” series, “The Brass Verdict”. What’s so interesting about Haller is that he has a past of his own that he tries to work through in the first half of this season. He wants to get back on his game and rise to the top like he used to be. We see him overcome his trauma and rebuild relationships in his life, while he gets his practice back together.

In the first half of this season, Garcia-Rulfo is a bit stiff and doesn’t really do much as Haller. It takes a bit to warm up to him and by the time you do the season is over. He is good in the role of Haller, but something still feels off and it’s hard to put a finger on it. Once we see Garcia-Rulfo in the courtroom his energy changes which does help his performance a bit. The supporting characters, especially the women, Maggie McPherson (Neve Campbell) and Lorna (Becki Newton) made each episode even better. Even though Maggie is in the middle of her own case, separate from Haller, their shared past gives the storyline a bit of an edge. Then Lorna, who is Haller’s ex-wife and is working with him, adds some humour to the show.

The Lincoln Lawyer is your generic legal drama with a solid cast to bring this all together. The storyline is the most important thing and it draws the viewer in. It’s intricate and the character relationships add so much to Haller as a character. It is funny at times just because of the way Garcia-Rulfo delivers his lines, especially in the courtroom. There are some emotional moments as Haller dives deeper into the case he’s working on. Even though the show has many moving parts, the episodes feel cohesive and not overstuffed with legal drama that viewers won’t be able to understand. It’s very surface level for Netflix viewers so that they can understand the layers of this character and the trial.

‘Cowboy Bebop’ Review

By: Amanda Guarragi

3, 2, 1… let’s jam!

One of the most beloved anime has been given the live-action treatment on Netflix. If you haven’t heard of Cowboy Bebop or you haven’t dived into the extensive anime catalogue, then this series will definitely get you interested. Cowboy Bebop is a Japanese science fiction neo-noir anime television series created and animated by Sunrise and André Nemex for Netflix has adapted it. We see a ragtag crew of bounty hunters (in space), chase down the galaxy’s most dangerous criminals; they’ll save the world for the right price. So yes, they are heroes, but they also gain some coin in the process.

The opening credits sequence that was released had everyone sold even before watching the actual series. The one thing that can be said about Cowboy Bebop is that it has a fun style and there is vibrancy to the atmosphere on each planet. When we first meet Spike Spiegel (John Cho) and Jet Black (Mustafa Shakir) they are on a mission to collect a bounty. Within that first sequence, Cho completely embodies Spiegel and the fight choreography that follows will have you locked in for the rest of the series. The directors, Alex Garcia Lopez and Michael Katleman have so much fun with the fight sequences, as they fuse together western genre conventions and anime tropes.

Spike Spiegel has a past that he has been trying to get away from and he has adapted to his new life as a bounty hunter quite nicely. Spiegel and Jet Black are fairly comfortable with each other but it seems like they don’t know the extent of each other’s lives before they met. As the story unfolds, we get flashbacks to Spiegel’s past life and how it suddenly merges with his encounters on different missions. There are plenty of characters that come into play like, Julia (Elena Satine), Vicious (Alex Hassell), and my personal favourite Faye Valentine (Daniella Pineda). They all bring something different to the table and change the dynamic of the story.

Without spoiling anything – even though this is an adaptation of an anime that has been around since the ’90s – this story tends to get lost a bit throughout the series because of the surface level ‘bounty hunting’ in each episode. Even though the story does get a bit jumbled, and the main storyline gets slightly off track, the series is just filled with so much style and excitement, that there really is never a dull moment. It’s a lot to take in, but once you understand these characters and get to the meat of their story, you’ll want to see more of them. Cowboy Bebop has impressed me and if the live-action does anything, for anyone, it’s that it will make you want to watch the anime from the beginning.

‘Monster’ Movie Review

By: Amanda Guarragi

Monster on Netflix is a poignant story about a 17-year-old aspiring filmmaker in Harlem, who is being accused of a robbery that he was not a part of. The film stars Kelvin Harrison Jr, ASAP Rocky, Jeffrey Wright, Jennifer Hudson and John David Washington. This film was truly a surprise for me because I didn’t know what I was walking into. The performances from everyone in the cast were emotional, powerful and really effective. It had a unique structure, a well-written script and interesting narrative choices to move the story forward.

On the surface the film seems like it is a generic courtroom drama with a story that we have seen quite often. The difference, in my opinion, is the execution of this story. What I found really interesting was the use of the voiceover from Steven Harmon (Kelvin Harrison Jr.), as we first see him in his jail cell. He expresses his internal thoughts as we his journey unfold. The voiceover works perfectly because it gives a different meaning to what the viewer is seeing on-screen. Since Steven is a filmmaker, the execution of this story mirrors his director’s lens in his mind and externalizes his emotions.

The film explains the negative perception that comes from the systemic racism embedded in the legal system. The film is titled, “monster” because it is one of the words used to describe Steven Harmon when he is on trial. Harmon is haunted by this word because he has never seen himself as one, and now he is questioning, what does it mean to be one? This is the emotional basis of the film and then, there is another layer of perspective, from a filmmaking standpoint that compliments this theme.

Monster is a film that is structured incredibly well because it uses its flashbacks properly. This is a very balanced way to show the events leading to his arrest in the past and then showing the trial in the present day. The performances drive the film and the direction from Anthony Mandler was intriguing. Kelvin Harrison Jr. is one of the most talented young actors working today and this is another project where he truly shines. Make sure to catch Monster on Netflix this weekend!

To All The Boys: Always And Forever Review


By: Amanda Guarragi

To All The Boys: Always and Forever is a pretty fun final installment to the trilogy. After watching our girl, Lara Jean Covey choose Peter Kavinsky over John Ambrose (which was a mistake), we all wanted to see how LJ and PK would end up. Let’s face it, even though some of us (especially me) dislike Valentine’s Day… we still love our romance films. The beauty of rom-coms is that they can take you out of reality for a bit. They can give you a wonderful lead saying the cheesiest, most romantic lines, and we’ll buy it.

What is so wonderful about this trilogy is that it brought life back into the genre. For the past three years, LJ (Lana Condor) and Peter Kavinsky (Noah Centineo) have grown together BUT they have also grown as individuals. This film also takes you back to your senior year and how stressful everything can be. Their relationship is put to the test but they never fail to be absolutely adorable with each other. That’s the magic Lana Condor brings to the screen, so the way Noah Centineo looks at her is totally relatable. Condor holds this film together. She has carried the trilogy from the very beginning because of her spirit.

Like any other teenage romantic comedy, it comes with difficult decisions and life lessons. It is no lie that teenagers are too young to make these life changing decisions but they are all forced to. How are they supposed to know what we want in life? The one thing that I really appreciated from this film is the focus on Lara Jean’s future and what she wanted. Sometimes relationships can cloud your judgement and affect your decisions. Teenagers are constantly faced with difficult decisions and are even more emotional than adults. Everything feels like the end of the world but life is just beginning. When we see Lara Jean take her schooling seriously, instead of thinking about Kavinsky, we see a different side of her that we haven’t seen.

To All the Boys: Always and Forever is Lana Condor’s trilogy and without her none of it works. She has this bright, beautiful, compassionate spirit and she will make you fall in love, with love. As we all know, I am a sucker for the friends to lovers trope and this trilogy started out with a contract. The way this film ends ties everything together and it is a full circle moment. Romantic comedies have been revived through this trilogy and hopefully we can get more of these films. We need more fun, sweet and heartwarming films in our lives.