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Episode 3: Emmy Nominations & TIFF 20 Lineup

August 5, 2020August 5, 2020

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Posted in: Podcast | Tagged: Announcements, Blogging, Blogs, Candid Cinema, Cinema, Emmys, Emmys 2020, Entertainment, Entertainment Journalist, film festivals, Film Reviews, Films, Journalism, Lives, Livestream, movie reviews, Movies, nominations, Podcasting, Television, TIFF, TIFF 20, tv shows, YouTube

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Cannes Award-Winning Feature: ‘Dollhouse: The Eradication of Female Subjectivity from American Popular Culture’ Review

An American Pickle Review

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“No matter how old you are, we all want to feel that rush of adrenaline from time to time. It has been a while since an original, non-franchise film, made me beam with pure happiness. The adventure begins with Dr. Lily Houghton (#EmilyBlunt), who enlists the aid of wisecracking skipper, named Frank Wolff (#DwayneJohnson) to take her down the Amazon in his ramshackle boat. Together, they search for an ancient tree that holds the power to heal — a discovery that will change the future of medicine. We are taken to 20th century London, when things were a bit old fashioned. This would have been a totally different movie without the electric chemistry between Johnson and Blunt.

“Writer-director #EmmaSeligman tells a simple story of a college student, named Danielle (#RachelSennott), who runs into her sugar daddy, at a Jewish funeral service with her parents. The structure of this film is what made this so interesting to watch. Seligman placed key moments throughout the film, and she slowly built up tension quite effortlessly. Every single time we think Danielle may be in the clear, something else would happen, and sends you spiralling with Danielle. The setting; picture a small house, filled with people, all gossiping and chattering away, while you’re trying to think of your next move.

“What worked incredibly well in this third instalment is that Deena is transported to 1666 through Sarah Fier. The concept of possession normally works for the present time and the body is rarely brought into the world of the dead. So it was a really nice change of events. We se see that majority of the characters from the first two films are also in this third one. Doing this allows the audience to remain familiar with the faces while telling a new story, so that the emotional connection that was previously established could carry through.

“What was upsetting is that #KarenGillan gave the most bland, internal performance I’ve seen in a while. It’s hard to lead a film if you are emotionless and stiff the entire time, rarely giving anything for your co-stars to even work with. You have absolute legends like #AngelaBassett, #CarlaGugino, #LenaHeadey, and #MichelleYeoh in this film, that were barely giving anything, and they still outperformed the lead of the film. It is hard to sit through this, knowing that those four actresses are there, waiting for the final battle, when they could have been scattered throughout the film.

only good vibes this summer ✌🏼

“The reason why this second instalment is slightly better than part one is because it felt more compact. The story was contained to Camp Nightwing and we already knew about Sarah Fier’s story going into it. As Berman tells her story and the events of her camp experience, we sympathize with her because she felt like she was an outcast. Everyone was against her, even her sister didn’t have her back. The camp atmosphere is always fun to play with because of the open area, the lake, and of course the cabins. There are endless possibilities for the scares, and Janiack really placed them throughout the film, where the audience could least expect it. Even though it does have the same formula – like most slasher films – it still has plenty of surprises.

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