By: Amanda Guarragi
We have been waiting for David Fincher to grace us all with a new film. A Fincher film is always bold with its characters, meticulous in its camerawork and is always elevated by its score. Mank definitely had all of those aspects going for it but unfortunately something was missing. It did not feel like a Fincher film. If you look at his filmography and watch Mank, it just feels so out of place. When I say that Mank is the equivalent to Citizen Kane (as it should) it is not necessarily a good thing. Citizen Kane has the expectation of being the greatest film of all time and it is one of the most divisive film because of the argument surrounding the status of the film.
Fincher is extremely talented because he does his research. Mank is a film that pays homage to the Classic Hollywood studio system while modernizing it for today’s audience. However, the arguments Fincher raises in Mank are quite contradictory in how he views the cinema experience today. Fincher is a cinema purist, he has said so himself, yet he made a film for a streaming service. In Mank it is expressed that the studios needed to follow the money, that is the way of the future and it still is. Everything that is said in Mank is reflective of how this year went. Whether it be the cinema experience, the studio’s adapting to a different model or politics, Fincher seemed to wrap it all together in a nice little bow.
Mank exists as a parallel to Citizen Kane, it is literally its counterpart. If you enjoyed Citizen Kane then you will most definitely enjoy Mank. If you’re like me and understand that the technological aspects and narrative structure of Citizen Kane is something to be admired but the film does not really grasp you in anyway emotionally, then you will feel the same way about Mank. Fincher’s camerawork was beautiful, the cinematography was stunning and the lighting in true Welles’ fashion was captured perfectly. There were so many lovely aspects in Mank but the screenplay was just so dull, (I find this ironic because the story is about a screenwriter) there were moments where Gary Oldman woke himself up to speak a bit louder, so you could understand where the story was going but it just fell flat.
When it was first announced that Fincher was going to shed some light on Citizen Kane I knew the kind of movie it would be. Fincher was trying to prove a point with this film, he wanted to make a film that presented the best of cinema, the golden age because he dislikes the current state of it. The film is a technical feat and will be up for Oscars but this is the most surprising entry in his filmography. For some reason it’s like he played it safe but he also boldly created a film that the general audience won’t even gravitate towards. This film was made with the intention to educate people on who Mank was but there is a hidden agenda in the way he presents this story.
David Fincher finally made the Oscar bait film that we have all been waiting for. It has the Classic Hollywood glam, detailed dialogue discussing the state of the studio system and political undertones that parallel the current state of America. It is a film that will leave you feeling cheated and confused because it has two sides of Fincher, instead of the one we all know and love. There are many wonderful aspects in Mank, there just should have been something more and I just can’t put my finger on it.
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