Disney & Film Criticism

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This is what we’ve come to?

It’s acceptable to just claim that a movie is just “fine”?

There’s a reason why Captain Marvel can’t be critiqued as “fine” and the reason is because it’s the TWENTY FIRST superhero film in a franchise.

It has absolutely nothing to do with the fact that it’s a female led cbm or that it’s written by a female or that it’s CO-DIRECTED by a woman. The film as a whole was not up to par with other films in the MCU and they are in Phase 04.

So because it’s under Disney we’re supposed to give a mediocre Marvel film a free pass? No.

Captain Marvel should not have been as mediocre as it was at this stage in the MCU, especially ahead of Endgame. 

Please tell me why there was more pressure on Patty Jenkins and Wonder Woman? The answer is blatantly obvious and it’s because it’s a DC film.

Captain Marvel did not reinvent the genre, it did not change the formulaic structure and it was extremely underwhelming. As a woman, there were moments where I understood Carol Danvers but I did not feel a connection to her. Also, how doesn’t it upset anyone that Captain Marvel was literally used as a stepping stone to Endgame? She’s being used as a device to further a narrative that is already in place because of the shared universe. The placement of Captain Marvel is odd and the only link to Endgame is the post credit scene which also makes this film disjointed among the MCU. I’m sure if you watch Captain Marvel before The Avengers it’ll fit better.

In the article from Variety, this is what Alicia Lutes says, “You’re still enabling the narrative that women have to be twice as good, all the time, to maybe get 1% of the pie. Whether you thought “Captain Marvel” or any of these movies was good, or even an affront, is entirely beside the point.”

I’m sorry but I don’t understand how any viewer has put women on a pedestal in regards to filmmaking? Women need more opportunities in the industry but when it comes to their work, they need to be critiqued like every other filmmaker. When you make claims that “it’s okay for this film, that is directed by a woman to fail because we need more of that”… no one wants their film to be mediocre or a failure, so why are we giving this film a pass?

You’ve already categorized Captain Marvel as a female led film and completely pushed aside the fact that it’s a DISNEY MARVEL MOVIE. It doesn’t matter who is behind the lens and that’s what people have to start realizing when critiquing films in the future. You have to be able to watch it for what it is and not put the film on a pedestal because it’s a female led film or directed by a woman. It’s damaging to female filmmakers, yes they struggle more than the average males in the industry but their content needs to be critiqued the same as everyone else.

How do we, as critics, say it’s acceptable that a movie is just “fine”? There have been thousands of films that have been mediocre and forgotten, where people have critisized every single aspect of the film, but this one, gets a free pass because female directors need to make some bad movies? Do people know what they’re saying?

This is proof that Disney owns the critics. Forget about Captain Marvel for a second and think about the critical acclaim Mary Poppins Returns received…. it didn’t deserve any of that hype and it was a disappointment in my eyes but it got plenty of nominations. Disney has known how to market their films since day one and now they’ve become greedy and power hungry. They own the box office year round and the critics are biased and fall to their knees as if they’ve made another masterpiece.

The new age of film criticism is not objective anymore, there is no singular voice that breaks down the film for what it is, there’s no balance. Ratings have become more important than reviews and critiques because a percentage from a consensus is more powerful than a credible writer expressing their opinion.

There should be no mediocrity when it comes to a Disney Marvel movie at this stage in the game because of it’s longevity. They have a “perfected” formula, so why not use it properly? That’s the issue with this kind of criticism for the film. At the end of the day, it’s not about female filmmakers at the box office but it’s about a standalone film apart of a larger universe.

 

 

 

 

 

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